Ways to Bring the Seaside Home

Uncategorized

There are many ways to bring the seaside into your home, here are some ideas including fabrics and fittings right through to flooring and furnishings.

1. Key features

Natural materials are in the heart of the look — believe whitewashed woods having the look of seaworn substances, shaped and softened from the components. Or attempt painted wood in colors of blue, white or watery green, with strikes of bolder colour. Seaside-themed accessories will instantly conjure up a coastal sense — a set of oars or a weathered sign, possibly — but avoid using too many or the appearance might become clichéd.

2. Fabrics

Choose plain, textured heavyweight linens or homespun designs which have a traditional look, such as striped linens and cottons. Checks and utilitarian tickings are amazing options, or opt for published patterns with beachfront or nautical motifs. Fabrics such as denim (another fantastic utility alternative for drapes or upholstery) or faded florals are a trendy way to introduce color to a light scheme. Lightweight sheers also work well and come in many different designs, including embroidered or printed.

3. Colours

Use a blend of cool whites, greys and off-whites as a background, then introduce more attention, heat and life with sandy shades or smallish steps of stronger colors, such as coral, red, aqua, seaglass green or blue. For the best effect, start looking for tones which are slightly faded and look somewhat aged or bleached by sunlight.

4. Furniture

Driftwood pieces are fantastic for this style but can be tough to discover. Instead you can opt for things in reclaimed wood with a distressed paint or limed finish to make a beach coastal furniture feel. Woven things in wicker, rope, rush or jute look the part or integrate elements into seat seats or backs. Outdoor furniture, such as bleached teak or timber or folding metal fashions, used inside can have a similar impact.

5. Flooring

Wooden boards which were sanded back and treated with pale wax or lye soap to give them a silvery, worn look are simple but trendy. Porcelain tiles, that are stronger, are now available to mimic this appearance. Strong painted planks in whites, creams and greys (use floorpaint for best results) are another great alternative but are less hardwearing. Natural coverings — seagrass, sisal, coir and jute — have a textural appeal and are perfect used wall-to-wall or as bound rugs.

6. Texture

Aged, distressed and worn, or chalky, matt and rough — furnishings with these qualities are an integral part of the look. Rope, woven cording or hard sisal all talk of the seashore. Pick furniture or lampshades made from woven materials or include design features like a rope bannister. Use chalky matt emulsion paints or a reclaimed stone flooring or worktop for lots of surface interest.

7. Accessories

Rustic or older artefacts are great ways to present a coastal furnishings. Displays of shells, driftwood or storm lanterns work, as do marine artworks, seascapes and classic bird prints. A character table covered with gathered finds creates an evocative still-life, though a group of straw hats can muster holiday memories. Glassware arranged on shelves, a mantelpiece or windowsill includes a watery appeal — attempt blown-glass buoys, demijohns, bell jars or storm lanterns. Other components that hit a nautical note include maps and postcards, carved shorebirds or model ships and boats.

8. Lighting

For authenticity, go for styles which have a nautical heritage or resemble boats’ designs. Pick utilitarian fittings, enamelled pendant sunglasses or floor lamps and metallic finishes with a rocky aesthetic. Tripod lights, according to a theodolite, in brass and timber seem effective. Woven lampshades, and those covered in raffia or burlap, have a textural quality. Otherwise, opt for industrial-looking styles based on ships’ bulk-head table and lamps lighting with glass bases in watery tones.

Read More

How to Plan the Ultimate Art Opening Night

Uncategorized

Ask anyone what they enjoy the best about going to an art show and many folks will tell you it is the opening night celebration. And who can blame them, after all, what better way is there to spend a day enjoying some brand new artwork whilst enjoying some alcohol like a fine yarra valley wine and partying?

 

So, while from a show-goer’s point of view the opening night celebration looks like a simple process — putting a selection of artworks in a gallery and then placing on refreshments and live music — there is a lot more to staging an exhibition (even a smaller series) than meets the eye. Months, maybe even a year, of planning and organising enter some displays and their opening night celebration, so in the interests of imbuing the curious with an appreciation of this procedure, here it is, a step by step guide to planning and staging an exhibition.

Planning

You may be amazed at the amount of planning an exhibition requires. Factors such as venues, budgets, funding, sponsorship, advertising and marketing, organising catering for functions, and maybe insurance, all require careful consideration. Lead times can vary considerably as a result, with a few displays taking a year or longer to install, while others can be organized in a few months.

Budgets, sponsorship, and funding

Staging an exhibition could be costly, and you’ll have to make certain you have enough funding, whether personal, or via sponsorships, to pay the expense of items like catering, advertising, printing, and gallery space. While established artists may have the ability to find sponsors to pay costs, as their bigger following ensures a fair amount of vulnerability due to their backers, new or emerging artists might not be so lucky, and will need to rely on savings or help from family or friends. Check around though. It could be possible to obtain funding through arts grants, and sometimes municipal councils or community groups may provide some help staging a show, whether it be providing a place or publicity. Artists at some exhibitions I’ve been to occasionally ask a for little (gold coin) donation to help cover costs, a part of which they generally donate to charity.

Finding a gallery

Gallery space is aggressive and can be tough to secure, especially in case you would like to exhibit at an established, well known, place. You’ll also have to weigh-up the amount, character, and dimensions, of work to be exhibited, contrary to the availability of appropriate galleries. Other things to consider are whether the gallery has an appropriate liquor licence to serve alcohol from wineries in the yarra valley and whether the gallery functions on a commission basis, taking a commission on works sold, or charges a fixed fee for holding a series. Also, depending upon where you are, since regulations differ from place to place, are insurance issues, both public liability, and paying for things on show. Look out too for alternative venues, like cafes or bookshops for example, which might offer wall area, and would definitely be delighted to collect a commission on any works sold. Given the prospect of custom and publicity, cafe and bookshop owners might possibly be ready to present other types of service for your show also.

Pricing your artworks

This is among the harder steps in the process of organising an art show. The amount you can request an artwork will be contingent on lots of variables including your reputation or standing as an artist. Clearly the more regarded your job, the more you may ask. Another is that the arrangement you have with the gallery displaying your work. Most galleries take a commission on works sold during an exhibition. Although this cut fluctuates, sometimes greatly, rates of approximately 25 to 30 percent are fairly common. Do not be afraid to pay attention to the commission either. If you think you will sell plenty of your job, you might have the ability to haggle a slightly lower rate. To set a price you’ll have to work out how much you want to get, against how much you really believe someone will pay, less the commission asked for by the exhibiting gallery.

Printing

As soon as you have financing, a place, and a motif worked out, you should begin organising the printing of promotional brochures and flyers, name cards, and a list or catalogue of the things you’ll be exhibiting. If cash is tight though you might have the ability to decrease some printing costs by doing some of the work yourself. Great looking catalogues and name cards could be produced with a word-processor, using great fonts, some cautious page design, and a reasonable printer. If you know somebody with calligraphy skills determine if they could help out, maybe by creating the name cards.

Promote and advertise

There are quite a few choices when it comes to promoting displays, many of which are cheap, or free. Social networking sites, like Facebook, make it easy for members to create pages for occasions, like an exhibition opening, and issue invitations for their contacts. There is also artwork focused discussion forums, and you may even think about approaching arts bloggers to find out if they will assist the spread of the word. Be careful not to wear your welcome out, or take anything for granted here. Setting up a page on a photo-sharing website, such as Flickr, and posting pictures of your job is also a fantastic way to generate some continuing profile. If your budget permits, consider printing flyers to post on community notice boards. Local stores may also be delighted to display these for you. Also, consider writing a press release to send to neighborhood and community magazines and papers. Finally, invite as many people as possible, as you can, to the opening. Not only will they love a drink and bite, but they will also add some ambience, and make your presence numbers look great. Nothing says success over a well-attended show opening.

Food, drinks, and catering

A big portion of the opening night of any exhibition is that of the food, drink and party atmosphere. Offering your guests a choice between a white and red wine, and water (and juice or soft drinks, in case you really need to push out the boat) is quite okay. If you have a generous host or even just a catering host (find a great café who offers catering in hawthorn and surrounding suburbs here), you might also have the ability to put on beer and some finger food. Wines and prepared meals are the best way to go when hosting an exhibition.

Other entertainment

Lots of the openings I have been to have some type of live music and awarded the air a DJ, or just a band. Obviously, if money, or floor area, dictates otherwise the only option could be background stereo audio. Whatever you do, choose music that’s light and upbeat, and creates a fantastic vibe.

Opening times

Many of the shows I go to usually open on Wednesdays, Thursdays, or Fridays. Thursday seems to be the most typical day, it is not too early in the week, and not too near the weekend. Prevent openings over weekends, or earlier in the week, times that people normally have other plans. An early day opening of about 6 pm is likely an excellent all round time. Most your guests will be on the way home from work by then, yet it’s still early enough for them to fit your display in around other programs they have for later in the day.

Photos

You will surely need a photographic record of this opening, so attempt to arrange for someone to take photographs throughout the day. Post the pictures to your Flickr or Facebook pages, and also use them when you write about concerning the opening on your site later.

And enjoy

The opening night, and exhibit itself, will most likely be over in what feels like no time, especially if compared to the weeks of prior preparation, so make certain to take some time out to appreciate your own exhibition.

Read More

Ways to Bring the Seaside Home

Uncategorized

There are many ways to bring the seaside into your home, here are some ideas including fabrics and fittings right through to flooring and furnishings.

1. Key features

Natural materials are in the heart of the look — believe whitewashed woods having the look of seaworn substances, shaped and softened from the components. Or attempt painted wood in colors of blue, white or watery green, with strikes of bolder colour. Seaside-themed accessories will instantly conjure up a coastal sense — a set of oars or a weathered sign, possibly — but avoid using too many or the appearance might become clichéd.

2. Fabrics

Choose plain, textured heavyweight linens or homespun designs which have a traditional look, such as striped linens and cottons. Checks and utilitarian tickings are amazing options, or opt for published patterns with beachfront or nautical motifs. Fabrics such as denim (another fantastic utility alternative for drapes or upholstery) or faded florals are a trendy way to introduce color to a light scheme. Lightweight sheers also work well and come in many different designs, including embroidered or printed.

3. Colours

Use a blend of cool whites, greys and off-whites as a background, then introduce more attention, heat and life with sandy shades or smallish steps of stronger colors, such as coral, red, aqua, seaglass green or blue. For the best effect, start looking for tones which are slightly faded and look somewhat aged or bleached by sunlight.

4. Furniture

Driftwood pieces are fantastic for this style but can be tough to discover. Instead you can opt for things in reclaimed wood with a distressed paint or limed finish to make a beach coastal furniture feel. Woven things in wicker, rope, rush or jute look the part or integrate elements into seat seats or backs. Outdoor furniture, such as bleached teak or timber or folding metal fashions, used inside can have a similar impact.

5. Flooring

Wooden boards which were sanded back and treated with pale wax or lye soap to give them a silvery, worn look are simple but trendy. Porcelain tiles, that are stronger, are now available to mimic this appearance. Strong painted planks in whites, creams and greys (use floorpaint for best results) are another great alternative but are less hardwearing. Natural coverings — seagrass, sisal, coir and jute — have a textural appeal and are perfect used wall-to-wall or as bound rugs.

6. Texture

Aged, distressed and worn, or chalky, matt and rough — furnishings with these qualities are an integral part of the look. Rope, woven cording or hard sisal all talk of the seashore. Pick furniture or lampshades made from woven materials or include design features like a rope bannister. Use chalky matt emulsion paints or a reclaimed stone flooring or worktop for lots of surface interest.

7. Accessories

Rustic or older artefacts are great ways to present a coastal furnishings. Displays of shells, driftwood or storm lanterns work, as do marine artworks, seascapes and classic bird prints. A character table covered with gathered finds creates an evocative still-life, though a group of straw hats can muster holiday memories. Glassware arranged on shelves, a mantelpiece or windowsill includes a watery appeal — attempt blown-glass buoys, demijohns, bell jars or storm lanterns. Other components that hit a nautical note include maps and postcards, carved shorebirds or model ships and boats.

8. Lighting

For authenticity, go for styles which have a nautical heritage or resemble boats’ designs. Pick utilitarian fittings, enamelled pendant sunglasses or floor lamps and metallic finishes with a rocky aesthetic. Tripod lights, according to a theodolite, in brass and timber seem effective. Woven lampshades, and those covered in raffia or burlap, have a textural quality. Otherwise, opt for industrial-looking styles based on ships’ bulk-head table and lamps lighting with glass bases in watery tones.

Read More

How to Plan the Ultimate Art Opening Night

Uncategorized

Ask anyone what they enjoy the best about going to an art show and many folks will tell you it is the opening night celebration. And who can blame them, after all, what better way is there to spend a day enjoying some brand new artwork whilst enjoying some alcohol like a fine yarra valley wine and partying?

 

So, while from a show-goer’s point of view the opening night celebration looks like a simple process — putting a selection of artworks in a gallery and then placing on refreshments and live music — there is a lot more to staging an exhibition (even a smaller series) than meets the eye. Months, maybe even a year, of planning and organising enter some displays and their opening night celebration, so in the interests of imbuing the curious with an appreciation of this procedure, here it is, a step by step guide to planning and staging an exhibition.

Planning

You may be amazed at the amount of planning an exhibition requires. Factors such as venues, budgets, funding, sponsorship, advertising and marketing, organising catering for functions, and maybe insurance, all require careful consideration. Lead times can vary considerably as a result, with a few displays taking a year or longer to install, while others can be organized in a few months.

Budgets, sponsorship, and funding

Staging an exhibition could be costly, and you’ll have to make certain you have enough funding, whether personal, or via sponsorships, to pay the expense of items like catering, advertising, printing, and gallery space. While established artists may have the ability to find sponsors to pay costs, as their bigger following ensures a fair amount of vulnerability due to their backers, new or emerging artists might not be so lucky, and will need to rely on savings or help from family or friends. Check around though. It could be possible to obtain funding through arts grants, and sometimes municipal councils or community groups may provide some help staging a show, whether it be providing a place or publicity. Artists at some exhibitions I’ve been to occasionally ask a for little (gold coin) donation to help cover costs, a part of which they generally donate to charity.

Finding a gallery

Gallery space is aggressive and can be tough to secure, especially in case you would like to exhibit at an established, well known, place. You’ll also have to weigh-up the amount, character, and dimensions, of work to be exhibited, contrary to the availability of appropriate galleries. Other things to consider are whether the gallery has an appropriate liquor licence to serve alcohol from wineries in the yarra valley and whether the gallery functions on a commission basis, taking a commission on works sold, or charges a fixed fee for holding a series. Also, depending upon where you are, since regulations differ from place to place, are insurance issues, both public liability, and paying for things on show. Look out too for alternative venues, like cafes or bookshops for example, which might offer wall area, and would definitely be delighted to collect a commission on any works sold. Given the prospect of custom and publicity, cafe and bookshop owners might possibly be ready to present other types of service for your show also.

Pricing your artworks

This is among the harder steps in the process of organising an art show. The amount you can request an artwork will be contingent on lots of variables including your reputation or standing as an artist. Clearly the more regarded your job, the more you may ask. Another is that the arrangement you have with the gallery displaying your work. Most galleries take a commission on works sold during an exhibition. Although this cut fluctuates, sometimes greatly, rates of approximately 25 to 30 percent are fairly common. Do not be afraid to pay attention to the commission either. If you think you will sell plenty of your job, you might have the ability to haggle a slightly lower rate. To set a price you’ll have to work out how much you want to get, against how much you really believe someone will pay, less the commission asked for by the exhibiting gallery.

Printing

As soon as you have financing, a place, and a motif worked out, you should begin organising the printing of promotional brochures and flyers, name cards, and a list or catalogue of the things you’ll be exhibiting. If cash is tight though you might have the ability to decrease some printing costs by doing some of the work yourself. Great looking catalogues and name cards could be produced with a word-processor, using great fonts, some cautious page design, and a reasonable printer. If you know somebody with calligraphy skills determine if they could help out, maybe by creating the name cards.

Promote and advertise

There are quite a few choices when it comes to promoting displays, many of which are cheap, or free. Social networking sites, like Facebook, make it easy for members to create pages for occasions, like an exhibition opening, and issue invitations for their contacts. There is also artwork focused discussion forums, and you may even think about approaching arts bloggers to find out if they will assist the spread of the word. Be careful not to wear your welcome out, or take anything for granted here. Setting up a page on a photo-sharing website, such as Flickr, and posting pictures of your job is also a fantastic way to generate some continuing profile. If your budget permits, consider printing flyers to post on community notice boards. Local stores may also be delighted to display these for you. Also, consider writing a press release to send to neighborhood and community magazines and papers. Finally, invite as many people as possible, as you can, to the opening. Not only will they love a drink and bite, but they will also add some ambience, and make your presence numbers look great. Nothing says success over a well-attended show opening.

Food, drinks, and catering

A big portion of the opening night of any exhibition is that of the food, drink and party atmosphere. Offering your guests a choice between a white and red wine, and water (and juice or soft drinks, in case you really need to push out the boat) is quite okay. If you have a generous host or even just a catering host (find a great café who offers catering in hawthorn and surrounding suburbs here), you might also have the ability to put on beer and some finger food. Wines and prepared meals are the best way to go when hosting an exhibition.

Other entertainment

Lots of the openings I have been to have some type of live music and awarded the air a DJ, or just a band. Obviously, if money, or floor area, dictates otherwise the only option could be background stereo audio. Whatever you do, choose music that’s light and upbeat, and creates a fantastic vibe.

Opening times

Many of the shows I go to usually open on Wednesdays, Thursdays, or Fridays. Thursday seems to be the most typical day, it is not too early in the week, and not too near the weekend. Prevent openings over weekends, or earlier in the week, times that people normally have other plans. An early day opening of about 6 pm is likely an excellent all round time. Most your guests will be on the way home from work by then, yet it’s still early enough for them to fit your display in around other programs they have for later in the day.

Photos

You will surely need a photographic record of this opening, so attempt to arrange for someone to take photographs throughout the day. Post the pictures to your Flickr or Facebook pages, and also use them when you write about concerning the opening on your site later.

And enjoy

The opening night, and exhibit itself, will most likely be over in what feels like no time, especially if compared to the weeks of prior preparation, so make certain to take some time out to appreciate your own exhibition.

Read More