Dream Career: Grad Designs Uniforms for Dolphins’ Girls Basketball Team

Our Blog

Among the best things to take place in Stephan Devroe’s high school experience was not making the Whitney Young boys basketball group.

After his unsuccessful tryout, Devroe, then 16, ended up being a manager for the Dolphins’ national power women hoops team. He maintained his relationship with head coach Corry Irvin and other Dolphins workers over the years, even while he went to Baylor University, and while he began his own couture business: Campus Love, which in part develops uniforms, socks, warm-ups and other gear for basketball groups.

Devroe’s first customer became Whitney Young’s girls’ team, for whom he designed youth basketball uniforms for this year after a couple of seasons of making their socks and other apparel.

Devroe doesn’t just have one basketball client. He also makes garments for the De La Salle Institute’s ladies basketball group and socks for the Robert Morris University guys’ basketball team. He wants to expand the School Love line to high schools on the South Side like Chicago Vocational, Bowen and Kenwood.

Devroe makes all the clothing, with the exception of uniforms, himself at a factory in Roseland. Devroe always dreamed of having his own business, in the beginning he was unsure of what exactly that business would be. One thing was clear though, the Dolphins always backed Devroe’s dreams and always planned on being a future client regardless of what the business entailed.

Irvin was a supervisor for Baylor’s ladies’ basketball team, and he’s the sixth-grade kid’s basketball coach at Francis Parker School in Lincoln Park.

His love for basketball jersey design started at Whitney Young, where he took a graphic design class, and he’s attempted to mesh his love of hoops and style since.

Devroe believed it was a dream to get into Whitney Young in the first place after a youth in South Coast, a community plagued by shootings. He said he never seizes the day to develop for approved, particularly after losing two Whitney Young schoolmates to violent deaths. That consists of Rodney Kyle’s, a rap artist referred to as In Rod We Desire who was fatally stabbed in 2011, and Greg Tucker, a basketball standout who was fatally shot in Classy this year.

A few weeks prior to Tucker was killed, he sent out Devroe a text message that in part read something along the lines of: It’s cool to see somebody I have actually known for years doing something positive and something that he loves. That’s some real stuff brother.

Read More

Live-Edge Wood: Home Furnishings With a Slice of Nature

Our Blog

Live-edge wood, a slab cut from the heart of a tree with its growing edge intact, provides sculptural heft to integrated home furnishings such as kitchen islands, bookshelves and bathroom sinks. The natural appearance requires time. Master woodworkers dry the raw wood for several years to support and season the pieces. “Kids take 25 years– wood, the very same thing,” says Hisao Hanafusa of Miya Shoji, a standard Japanese carpentry workshop based in New York City. “Our work is beautiful due to the fact that we didn’t do it.”

Samples of live-edge products, from rugged to refined:

Philadelphia Office

A 4-foot-wide chunk of a monkeypod tree from Indonesia was sliced lengthwise to develop two live-edge pieces– each 9 1/2 feet long– for a desktop and a rack that curve around the corners of a comfortable household workspace in a city rowhouse. “The other edges are truly managed, really crisp,” stated designer Amy Cuker, of Down2Earth Style. Angled metal supports protect the slabs to the research study walls.

New York City Living Space

A centuries old fallen ash tree from upstate New York– sliced into pieces and aged for years in a drying shed– supplied the 9-foot shelf for a steel-cased library wall. “It floats, however it’s extremely grounded– it resembles the tree is still there,” stated Victoria Meyers, of Hanrahan Meyers Architects. She sourced the ash from Mr. Hanafusa, who shaved and oiled it repeatedly before collaborating shipment– a difficulty in New York City. “It never fits in the elevator; you need strong muscle males to bring it up 8 floors. In some cases, we have to employ a slab crane,” he said.

San Francisco Kitchen Area

A 200-pound piece cut from the trunk of a claro walnut tree acts as an earthy bartop for a white-on-white cooking area. “The clients wanted to treat it practically like an object versus the white background– revealing it off like an artifact,” stated Carl Scheidenhelm of SF Architecture. The walnut, with its intricate feathery grain, was aged in a drying barn for six years prior to being sanded, completed and set up. Steel-bracket inserts, hidden under the slab, bolt it to the floor.

Bathroom, Berkeley, Calif

Paul Discoe, a master woodworker and builder based in Oakland, drew out the filigree quality in the wavy panel of live-edge elm he used to build a bathroom vanity, designed in partnership with designer Jerome Buttrick of Buttrick Projects A+D. Mr. Discoe, who trained as a Buddhist priest before he began crushing wood from salvaged city trees and using drake low loaders, takes a zen technique: “Live-edge wood comes out of the Japanese idea of mottainai– it means not to waste,” he stated.

See http://www.wsj.com/articles/live-edge-wood-furnishings-with-a-slice-of-nature-1479927331 to learn more.

Read More

How Viewing Tech as Art Is on the Horizon

Our Blog

Innovation alters the human experience– that’s kind of the point. The Web Age has actually brought huge modification to almost all aspects of our experience, such as interaction, navigation, knowledge gain access to, and social life. These modifications are so extensive that they result not only in quantitative change– like the approximated 7 billion mobile phones worldwide– but qualitative, implying they force us to expand the meaning of these features of daily life. These standard functions of life have always been with us, but they are various now at a deep level and in such a way nobody could have forecasted accurately even twenty years back.

Among these modifications I discover most engaging is how technology like cloud services is altering art. “Art” is a rather basic term, however that’s appropriate due to the fact that innovation today is enhancing art in all its aspects: classical painting, the visual style of software, and guerrilla art for social modification, among others. Take a look at Prisma, the image manipulation app that has actually increased to prominence over the summertime. By integrating a neural network with a type of artificial intelligence, Prisma can take any average, ordinary photo and transform it into a masterpiece deserving of any significant gallery.

In a crucial sense, there is no difference in between imaginative technology and “art.” Both produce artifacts of human creativity and creativity. What sort of transformations can we make to our contemporary world by looking at an app or a product as not just an accomplishment of innovation, but likewise as an extension of creative expression?

Some amazing current hybrid jobs highlight this melding of standard art and advanced innovation. One example is the Malware Museum, a curated online archive that showcases the history of interesting trojan horse and other malware, presenting them as art pieces in a collection. It permits visitors to download examples and have a true malware experience– but without risk. “Through the use of emulations, and additionally eliminating any devastating regimens within the infections through software testing,” the site reads, “this collection permits you to experience virus infection of years ago with security.”

Another job, the “Brandalism” at the COP21 Climate Conference in Paris in 2015, exhibited not only the production of art utilizing image manipulation innovation, but also the function of the artist as provocateur for changes in how we utilize technology responsibly. Artists unlawfully changed bus-stop advertisements with transformed ones illustrating brands as part of the climate modification issue, not the option.

Much of the business behind these brands sponsored the conference, so these guerilla art pieces were both real-time commentary and sharply pointed social criticism. In my mind, the truest type of art is that which encourages mankind to become better, therefore events like the Brandalism are inspiring uses of both technology and art directed towards an international concern that impacts us all.

NEAT: New Experiments in Art and Innovation, a 2016 display at the Contemporary Jewish Museum in San Francisco, pulled numerous themes together. It utilized robotics, digital technology, and other media in nine artists’ works regarding how innovation is linked with all aspects of the human experience today.

Among the most aesthetically stunning examples of innovation and the fine arts boosting each other is a documentary in the making, “Caring Vincent,” a biopic about Vincent Van Gogh. The movie will be entirely made up of hand-painted images in Van Gogh’s distinct design, and his story will be told through characters and settings drawn from 120 of his own paintings.

All these tasks and others can supply important lessons and inspiration for advancements in the tech sector. The very first comes in regards to combining the left and right brains. Thinking as an artist requires creators to immerse themselves in the mindsets of the viewers and users, eventually benefiting both developers and users. Innovation based in just developers’ perspectives is neither art nor great innovation.

Using the creative method to tech and agile automated testing also indicates seeing each item as ongoing and iterative. An expression frequently attributed to Leonardo da Vinci refers to tech, too: “Art is never ever completed, just abandoned.” When an app is submitted to the App Shop, the work on that project has actually only just started. Feedback, bugs, market changes, and more determine that it continuously evolves.

A 3rd lesson art can impart on tech is in cultivating imagination. Creativity is key for software application business Comprehending ways to cultivate creativity and imagination can make or break these businesses. “Imaginative breaks” can increase imagination within a group. After all, it’s hard to believe outside package when you duplicate the exact same tasks and schedules every day.

The crossway of art and innovation will just become more powerful gradually. A years from now, start-ups will employ merely for a “creativity” consider prospects that will forecast how rapidly and effectively they can innovate using IT consulting.

Just like fine artists, tech sector employees will draw motivation and inspiration from nature, social issues, history, and obviously how technology impacts the human experience.

Check out http://observer.com/2016/11/how-viewing-tech-as-art-is-on-the-horizon/ to read more.

Read More

The Art Of Photography In Museums

Our Blog

camera-1549168-1280x960Shooting in Low Light

Light is typically dim in museums as this is more visually pleasing, and lots of museum art and design pieces can weaken with time when exposed to bright flood lighting and camera flash. Therefore, you have to set your electronic camera accordingly. Push the ISO up to a minimum of 400. If flash isn’t really enabled then utilize the widest aperture possible so you can hand hold the cam and utilize a fairly fast shutter speed. When photographing the actual displays, tripods may not be allowed as they can block other individuals’s ability to see the work.

Prevent Glass Reflections

Numerous exhibits are held behind glass, particularly artifacts, and valuable paintings. There are different things you can do to prevent reflections. Never use flash. For display cases, push the lens straight onto the glass with no gap, if this is permitted. By doing this you are bypassing any type of reflective quality from the glass– but DO give it a wipe to eliminate fingerprints in advance. If you can use a polarizing filter; it will decrease reflections. You might need to push the ISO up considering that many artifacts are in extremely low light conditions; ISO 1600 is more than sufficient.

Take notice of Details

Do not be afraid to move close to objects to get a significant effect. If you can get near the things then you can utilize a macro lens to select the details. If you are far away, use a zoom lens to get in close. Use a big aperture of f/1.8 – f/4.0 and a shutter speed of 1/100th of a second if you are using flash, 1/60th of a 2nd and slower if you cannot. Statues in custom showcases are inanimate but you can bring them to life when you zoom in near to their facial features.

Catching the Ceiling

Some museums have architecture that is as incredible as the art work being shown. Because this elaborate architecture is generally in the foyer you might be allowed to use a tripod. Turn the video camera upwards so it is dealing with the ceiling and try not using flash that is as bright as industrial lighting Press the ISO up to as much as 400 and even greater so that the camera can deal with little light and select AUTO without flash to see exactly what settings your electronic camera selects. Utilize your cam’s self-timer or a cable release to avoid blur.

Read More

Why Conventional Business Strategies Do Not Work for Artists

Our Blog

Zssndhdioefijeiojfjehfffkjkdsjskdjfdjfjkkfsfjksdjdlfjdsjfkfjkjjdsjfklfkjfjlksjfsjfdsjfldsjflkdjfjdslfkjdsfjdkfjkdsjfsdjkfsjkdjfkj4kj474784787487847587485748574857847584758475847584757485748758475847547847587308203809849584958495894859485948989898392848259820358-034850983458-3485-8340580934n 0948n8098093485438n5vu345vn93485nv09438590vn9438n5vStandard business strategies usually do not work for artists. Why is that? This is probably due to the fact that Artists sell feelings. Feelings in their works of art, paintings, sculpture or even jewelry.

Artists are actually in the business of selling feelings and that is why traditional company business strategies do not work for them. That is likewise why artists do not see themselves as entrepreneurs. Artists really offer “items” that evoke the sensation, items that link the purchaser with their inner self. That’s of more value than a pair of new tennis shoes or the current technical gizmo. So large sums of money always have and almost certainly always will change hands in the art market.

So why is it that most artists do not see themselves as business entrepreneurs?

The confusion is fueled by the loud and unquestioned “but you’re supposed to be a starving artist” belief, one which is disrespectful and very harmful.

Paradoxically, this idea is continually propagated by the exact same culture and economy that values art so highly, which is roughly 3.2 % of the US Gross Domestic Product! So why else are the creators of these extremely valued “items” so baffled? I wonder if it’s due to the fact that an artist commonly can’t see beyond how they feel about their own ‘works of art’?

Why is that?

Since unlike standard businesses, artists offer products that reflect exactly what is deeply and personally significant to them. Target audience? That is not something they even discuss in art school. So artists do not relate to traditional business and conventional business does not relate to artists. Each camp is frequently outright hostile towards the other.

Artists believe that their values are far removed from business people and they do not speak the same common language. We usually dislike what we don’t comprehend and what intimidates us.

Read More

Get Your Own Art Career into Gear

Our Blog

art into gearMany artists that I know would not consider themselves entrepreneurs or business people. But art is a business! Not many will experience Picasso-size deals in their artistic lifetimes, but there are still many ways artists can promote themselves and boost their income.

Stay with what works

The reality is, no one is going to make your career work for you. You are the artist, so you need to get your work out there in front of the public. One way is to send out laminated postcards for all your shows. People seem to collect them. Update your own website regularly (a great example is a plus size clothing website who does this well), get an email list established and design your own postcards for that individual touch. You should also think about showing in non-traditional places.

The reality is that putting up a website is not only a promotional tool, but it also acts as a catalogue (or kind of like a cheap storage solution) of your work for prospective purchasers. Think about this: if collectors can’t buy directly from your site, they can see what kind of work you have available but might lose interest if they move on to someone else’s site if they cannot buy then and there. So think about setting up some sort of e-commerce platform. If you don’t have the know how, find someone who does. You should have a presence at as many art fairs as you can, as this will give your work a major boost in terms of visibility as well as sales. You never know, one big sale at one of these art fairs could help finance many months of art-making

Another thing you can do to make things as streamlined as possible is to learn to do technical stuff yourself like IT consulting services. This means that you take your own photos and figure out the software so you can update your website. It saves on paying somebody else, but more to the point, what it really means is that you can take the time to get things looking exactly the way you want them to look. If you have to constantly explain to curators that your website isn’t 100% up to date it’s a huge waste of everybody’s time.

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What is the Definition of Art?

Our Blog

art as a businessMark Rothko, an American artist who explained himself as an “abstract painter”, as soon as said that he was not the sort of person thinking about the relationship of type, color or similars. He didn’t specify himself as an abstractionist, but rather as an individual interested just in revealing standard human emotions such as doom, tragedy, euphoria and so on. This was one person’s version of art, but exactly how do you define what art is today? Is defining the concept hard?

We want this article first off to be an expedition of the definition of art and an attempt to understand the relationship in between art and artists, with some helpful insights through interviews with both traditional and digital artists.

What is the Definition of Art?

This question appears often, and with numerous responses. Lots say that art can not be specified. We might tackle this in numerous ways. Art is commonly thought about as the process or product of intentionally arranging aspects in a manner that appeals to people’s emotions or senses? It can include a diverse variety of human developments, activities, and methods of expression, which can include literature music, movie, paintings, sculpture and even something as abstract as art shipping crates! The meaning of art is explored in a branch of philosophy called visual appeals. A minimum of, that’s exactly what Wikipedia claims.

Art is typically understood as any activity or item done by people with a communicative or visual purpose – something that reveals a concept, an emotion or, more typically, a world view.

It belongs to culture, reflecting economic and social substrates in its design. It is able to send concepts and values inherent in every culture throughout space and time. Its function modifies through time, acquiring more of an aesthetic element here and a socio-educational function there.

Everything we’ve said so far has elements of reality however, its primarily opinion. According to Wikipedia, “Art historians and philosophers of art have long had classificatory disputes about art relating to whether a particular cultural kind or piece of work must be classified as art.”. This is usually done by some art services to correctly classify some pieces.

The definition of art is open, subjective but open to question. There is no set agreement among historians and artists, so this is probably why we’re left with a lot of meanings of art. The principle itself has altered over centuries.

Really the idea of art continues today to stir controversy, with it being so open to multiple ways to interpret. It can be taken simply to imply any human activity or any set of policies had to develop an activity. This would generalize the concept beyond what is typically understood as the arts, now broadened to include scholastic locations.

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Dream Career: Grad Designs Uniforms for Dolphins’ Girls Basketball Team

Our Blog

Among the best things to take place in Stephan Devroe’s high school experience was not making the Whitney Young boys basketball group.

After his unsuccessful tryout, Devroe, then 16, ended up being a manager for the Dolphins’ national power women hoops team. He maintained his relationship with head coach Corry Irvin and other Dolphins workers over the years, even while he went to Baylor University, and while he began his own couture business: Campus Love, which in part develops uniforms, socks, warm-ups and other gear for basketball groups.

Devroe’s first customer became Whitney Young’s girls’ team, for whom he designed youth basketball uniforms for this year after a couple of seasons of making their socks and other apparel.

Devroe doesn’t just have one basketball client. He also makes garments for the De La Salle Institute’s ladies basketball group and socks for the Robert Morris University guys’ basketball team. He wants to expand the School Love line to high schools on the South Side like Chicago Vocational, Bowen and Kenwood.

Devroe makes all the clothing, with the exception of uniforms, himself at a factory in Roseland. Devroe always dreamed of having his own business, in the beginning he was unsure of what exactly that business would be. One thing was clear though, the Dolphins always backed Devroe’s dreams and always planned on being a future client regardless of what the business entailed.

Irvin was a supervisor for Baylor’s ladies’ basketball team, and he’s the sixth-grade kid’s basketball coach at Francis Parker School in Lincoln Park.

His love for basketball jersey design started at Whitney Young, where he took a graphic design class, and he’s attempted to mesh his love of hoops and style since.

Devroe believed it was a dream to get into Whitney Young in the first place after a youth in South Coast, a community plagued by shootings. He said he never seizes the day to develop for approved, particularly after losing two Whitney Young schoolmates to violent deaths. That consists of Rodney Kyle’s, a rap artist referred to as In Rod We Desire who was fatally stabbed in 2011, and Greg Tucker, a basketball standout who was fatally shot in Classy this year.

A few weeks prior to Tucker was killed, he sent out Devroe a text message that in part read something along the lines of: It’s cool to see somebody I have actually known for years doing something positive and something that he loves. That’s some real stuff brother.

Read More

Live-Edge Wood: Home Furnishings With a Slice of Nature

Our Blog

Live-edge wood, a slab cut from the heart of a tree with its growing edge intact, provides sculptural heft to integrated home furnishings such as kitchen islands, bookshelves and bathroom sinks. The natural appearance requires time. Master woodworkers dry the raw wood for several years to support and season the pieces. “Kids take 25 years– wood, the very same thing,” says Hisao Hanafusa of Miya Shoji, a standard Japanese carpentry workshop based in New York City. “Our work is beautiful due to the fact that we didn’t do it.”

Samples of live-edge products, from rugged to refined:

Philadelphia Office

A 4-foot-wide chunk of a monkeypod tree from Indonesia was sliced lengthwise to develop two live-edge pieces– each 9 1/2 feet long– for a desktop and a rack that curve around the corners of a comfortable household workspace in a city rowhouse. “The other edges are truly managed, really crisp,” stated designer Amy Cuker, of Down2Earth Style. Angled metal supports protect the slabs to the research study walls.

New York City Living Space

A centuries old fallen ash tree from upstate New York– sliced into pieces and aged for years in a drying shed– supplied the 9-foot shelf for a steel-cased library wall. “It floats, however it’s extremely grounded– it resembles the tree is still there,” stated Victoria Meyers, of Hanrahan Meyers Architects. She sourced the ash from Mr. Hanafusa, who shaved and oiled it repeatedly before collaborating shipment– a difficulty in New York City. “It never fits in the elevator; you need strong muscle males to bring it up 8 floors. In some cases, we have to employ a slab crane,” he said.

San Francisco Kitchen Area

A 200-pound piece cut from the trunk of a claro walnut tree acts as an earthy bartop for a white-on-white cooking area. “The clients wanted to treat it practically like an object versus the white background– revealing it off like an artifact,” stated Carl Scheidenhelm of SF Architecture. The walnut, with its intricate feathery grain, was aged in a drying barn for six years prior to being sanded, completed and set up. Steel-bracket inserts, hidden under the slab, bolt it to the floor.

Bathroom, Berkeley, Calif

Paul Discoe, a master woodworker and builder based in Oakland, drew out the filigree quality in the wavy panel of live-edge elm he used to build a bathroom vanity, designed in partnership with designer Jerome Buttrick of Buttrick Projects A+D. Mr. Discoe, who trained as a Buddhist priest before he began crushing wood from salvaged city trees and using drake low loaders, takes a zen technique: “Live-edge wood comes out of the Japanese idea of mottainai– it means not to waste,” he stated.

See http://www.wsj.com/articles/live-edge-wood-furnishings-with-a-slice-of-nature-1479927331 to learn more.

Read More

How Viewing Tech as Art Is on the Horizon

Our Blog

Innovation alters the human experience– that’s kind of the point. The Web Age has actually brought huge modification to almost all aspects of our experience, such as interaction, navigation, knowledge gain access to, and social life. These modifications are so extensive that they result not only in quantitative change– like the approximated 7 billion mobile phones worldwide– but qualitative, implying they force us to expand the meaning of these features of daily life. These standard functions of life have always been with us, but they are various now at a deep level and in such a way nobody could have forecasted accurately even twenty years back.

Among these modifications I discover most engaging is how technology like cloud services is altering art. “Art” is a rather basic term, however that’s appropriate due to the fact that innovation today is enhancing art in all its aspects: classical painting, the visual style of software, and guerrilla art for social modification, among others. Take a look at Prisma, the image manipulation app that has actually increased to prominence over the summertime. By integrating a neural network with a type of artificial intelligence, Prisma can take any average, ordinary photo and transform it into a masterpiece deserving of any significant gallery.

In a crucial sense, there is no difference in between imaginative technology and “art.” Both produce artifacts of human creativity and creativity. What sort of transformations can we make to our contemporary world by looking at an app or a product as not just an accomplishment of innovation, but likewise as an extension of creative expression?

Some amazing current hybrid jobs highlight this melding of standard art and advanced innovation. One example is the Malware Museum, a curated online archive that showcases the history of interesting trojan horse and other malware, presenting them as art pieces in a collection. It permits visitors to download examples and have a true malware experience– but without risk. “Through the use of emulations, and additionally eliminating any devastating regimens within the infections through software testing,” the site reads, “this collection permits you to experience virus infection of years ago with security.”

Another job, the “Brandalism” at the COP21 Climate Conference in Paris in 2015, exhibited not only the production of art utilizing image manipulation innovation, but also the function of the artist as provocateur for changes in how we utilize technology responsibly. Artists unlawfully changed bus-stop advertisements with transformed ones illustrating brands as part of the climate modification issue, not the option.

Much of the business behind these brands sponsored the conference, so these guerilla art pieces were both real-time commentary and sharply pointed social criticism. In my mind, the truest type of art is that which encourages mankind to become better, therefore events like the Brandalism are inspiring uses of both technology and art directed towards an international concern that impacts us all.

NEAT: New Experiments in Art and Innovation, a 2016 display at the Contemporary Jewish Museum in San Francisco, pulled numerous themes together. It utilized robotics, digital technology, and other media in nine artists’ works regarding how innovation is linked with all aspects of the human experience today.

Among the most aesthetically stunning examples of innovation and the fine arts boosting each other is a documentary in the making, “Caring Vincent,” a biopic about Vincent Van Gogh. The movie will be entirely made up of hand-painted images in Van Gogh’s distinct design, and his story will be told through characters and settings drawn from 120 of his own paintings.

All these tasks and others can supply important lessons and inspiration for advancements in the tech sector. The very first comes in regards to combining the left and right brains. Thinking as an artist requires creators to immerse themselves in the mindsets of the viewers and users, eventually benefiting both developers and users. Innovation based in just developers’ perspectives is neither art nor great innovation.

Using the creative method to tech and agile automated testing also indicates seeing each item as ongoing and iterative. An expression frequently attributed to Leonardo da Vinci refers to tech, too: “Art is never ever completed, just abandoned.” When an app is submitted to the App Shop, the work on that project has actually only just started. Feedback, bugs, market changes, and more determine that it continuously evolves.

A 3rd lesson art can impart on tech is in cultivating imagination. Creativity is key for software application business Comprehending ways to cultivate creativity and imagination can make or break these businesses. “Imaginative breaks” can increase imagination within a group. After all, it’s hard to believe outside package when you duplicate the exact same tasks and schedules every day.

The crossway of art and innovation will just become more powerful gradually. A years from now, start-ups will employ merely for a “creativity” consider prospects that will forecast how rapidly and effectively they can innovate using IT consulting.

Just like fine artists, tech sector employees will draw motivation and inspiration from nature, social issues, history, and obviously how technology impacts the human experience.

Check out http://observer.com/2016/11/how-viewing-tech-as-art-is-on-the-horizon/ to read more.

Read More

The Art Of Photography In Museums

Our Blog

camera-1549168-1280x960Shooting in Low Light

Light is typically dim in museums as this is more visually pleasing, and lots of museum art and design pieces can weaken with time when exposed to bright flood lighting and camera flash. Therefore, you have to set your electronic camera accordingly. Push the ISO up to a minimum of 400. If flash isn’t really enabled then utilize the widest aperture possible so you can hand hold the cam and utilize a fairly fast shutter speed. When photographing the actual displays, tripods may not be allowed as they can block other individuals’s ability to see the work.

Prevent Glass Reflections

Numerous exhibits are held behind glass, particularly artifacts, and valuable paintings. There are different things you can do to prevent reflections. Never use flash. For display cases, push the lens straight onto the glass with no gap, if this is permitted. By doing this you are bypassing any type of reflective quality from the glass– but DO give it a wipe to eliminate fingerprints in advance. If you can use a polarizing filter; it will decrease reflections. You might need to push the ISO up considering that many artifacts are in extremely low light conditions; ISO 1600 is more than sufficient.

Take notice of Details

Do not be afraid to move close to objects to get a significant effect. If you can get near the things then you can utilize a macro lens to select the details. If you are far away, use a zoom lens to get in close. Use a big aperture of f/1.8 – f/4.0 and a shutter speed of 1/100th of a second if you are using flash, 1/60th of a 2nd and slower if you cannot. Statues in custom showcases are inanimate but you can bring them to life when you zoom in near to their facial features.

Catching the Ceiling

Some museums have architecture that is as incredible as the art work being shown. Because this elaborate architecture is generally in the foyer you might be allowed to use a tripod. Turn the video camera upwards so it is dealing with the ceiling and try not using flash that is as bright as industrial lighting Press the ISO up to as much as 400 and even greater so that the camera can deal with little light and select AUTO without flash to see exactly what settings your electronic camera selects. Utilize your cam’s self-timer or a cable release to avoid blur.

Read More

Why Conventional Business Strategies Do Not Work for Artists

Our Blog

Zssndhdioefijeiojfjehfffkjkdsjskdjfdjfjkkfsfjksdjdlfjdsjfkfjkjjdsjfklfkjfjlksjfsjfdsjfldsjflkdjfjdslfkjdsfjdkfjkdsjfsdjkfsjkdjfkj4kj474784787487847587485748574857847584758475847584757485748758475847547847587308203809849584958495894859485948989898392848259820358-034850983458-3485-8340580934n 0948n8098093485438n5vu345vn93485nv09438590vn9438n5vStandard business strategies usually do not work for artists. Why is that? This is probably due to the fact that Artists sell feelings. Feelings in their works of art, paintings, sculpture or even jewelry.

Artists are actually in the business of selling feelings and that is why traditional company business strategies do not work for them. That is likewise why artists do not see themselves as entrepreneurs. Artists really offer “items” that evoke the sensation, items that link the purchaser with their inner self. That’s of more value than a pair of new tennis shoes or the current technical gizmo. So large sums of money always have and almost certainly always will change hands in the art market.

So why is it that most artists do not see themselves as business entrepreneurs?

The confusion is fueled by the loud and unquestioned “but you’re supposed to be a starving artist” belief, one which is disrespectful and very harmful.

Paradoxically, this idea is continually propagated by the exact same culture and economy that values art so highly, which is roughly 3.2 % of the US Gross Domestic Product! So why else are the creators of these extremely valued “items” so baffled? I wonder if it’s due to the fact that an artist commonly can’t see beyond how they feel about their own ‘works of art’?

Why is that?

Since unlike standard businesses, artists offer products that reflect exactly what is deeply and personally significant to them. Target audience? That is not something they even discuss in art school. So artists do not relate to traditional business and conventional business does not relate to artists. Each camp is frequently outright hostile towards the other.

Artists believe that their values are far removed from business people and they do not speak the same common language. We usually dislike what we don’t comprehend and what intimidates us.

Read More

Get Your Own Art Career into Gear

Our Blog

art into gearMany artists that I know would not consider themselves entrepreneurs or business people. But art is a business! Not many will experience Picasso-size deals in their artistic lifetimes, but there are still many ways artists can promote themselves and boost their income.

Stay with what works

The reality is, no one is going to make your career work for you. You are the artist, so you need to get your work out there in front of the public. One way is to send out laminated postcards for all your shows. People seem to collect them. Update your own website regularly (a great example is a plus size clothing website who does this well), get an email list established and design your own postcards for that individual touch. You should also think about showing in non-traditional places.

The reality is that putting up a website is not only a promotional tool, but it also acts as a catalogue (or kind of like a cheap storage solution) of your work for prospective purchasers. Think about this: if collectors can’t buy directly from your site, they can see what kind of work you have available but might lose interest if they move on to someone else’s site if they cannot buy then and there. So think about setting up some sort of e-commerce platform. If you don’t have the know how, find someone who does. You should have a presence at as many art fairs as you can, as this will give your work a major boost in terms of visibility as well as sales. You never know, one big sale at one of these art fairs could help finance many months of art-making

Another thing you can do to make things as streamlined as possible is to learn to do technical stuff yourself like IT consulting services. This means that you take your own photos and figure out the software so you can update your website. It saves on paying somebody else, but more to the point, what it really means is that you can take the time to get things looking exactly the way you want them to look. If you have to constantly explain to curators that your website isn’t 100% up to date it’s a huge waste of everybody’s time.

Read More

What is the Definition of Art?

Our Blog

art as a businessMark Rothko, an American artist who explained himself as an “abstract painter”, as soon as said that he was not the sort of person thinking about the relationship of type, color or similars. He didn’t specify himself as an abstractionist, but rather as an individual interested just in revealing standard human emotions such as doom, tragedy, euphoria and so on. This was one person’s version of art, but exactly how do you define what art is today? Is defining the concept hard?

We want this article first off to be an expedition of the definition of art and an attempt to understand the relationship in between art and artists, with some helpful insights through interviews with both traditional and digital artists.

What is the Definition of Art?

This question appears often, and with numerous responses. Lots say that art can not be specified. We might tackle this in numerous ways. Art is commonly thought about as the process or product of intentionally arranging aspects in a manner that appeals to people’s emotions or senses? It can include a diverse variety of human developments, activities, and methods of expression, which can include literature music, movie, paintings, sculpture and even something as abstract as art shipping crates! The meaning of art is explored in a branch of philosophy called visual appeals. A minimum of, that’s exactly what Wikipedia claims.

Art is typically understood as any activity or item done by people with a communicative or visual purpose – something that reveals a concept, an emotion or, more typically, a world view.

It belongs to culture, reflecting economic and social substrates in its design. It is able to send concepts and values inherent in every culture throughout space and time. Its function modifies through time, acquiring more of an aesthetic element here and a socio-educational function there.

Everything we’ve said so far has elements of reality however, its primarily opinion. According to Wikipedia, “Art historians and philosophers of art have long had classificatory disputes about art relating to whether a particular cultural kind or piece of work must be classified as art.”. This is usually done by some art services to correctly classify some pieces.

The definition of art is open, subjective but open to question. There is no set agreement among historians and artists, so this is probably why we’re left with a lot of meanings of art. The principle itself has altered over centuries.

Really the idea of art continues today to stir controversy, with it being so open to multiple ways to interpret. It can be taken simply to imply any human activity or any set of policies had to develop an activity. This would generalize the concept beyond what is typically understood as the arts, now broadened to include scholastic locations.

Read More

Dream Career: Grad Designs Uniforms for Dolphins’ Girls Basketball Team

Our Blog

Among the best things to take place in Stephan Devroe’s high school experience was not making the Whitney Young boys basketball group.

After his unsuccessful tryout, Devroe, then 16, ended up being a manager for the Dolphins’ national power women hoops team. He maintained his relationship with head coach Corry Irvin and other Dolphins workers over the years, even while he went to Baylor University, and while he began his own couture business: Campus Love, which in part develops uniforms, socks, warm-ups and other gear for basketball groups.

Devroe’s first customer became Whitney Young’s girls’ team, for whom he designed youth basketball uniforms for this year after a couple of seasons of making their socks and other apparel.

Devroe doesn’t just have one basketball client. He also makes garments for the De La Salle Institute’s ladies basketball group and socks for the Robert Morris University guys’ basketball team. He wants to expand the School Love line to high schools on the South Side like Chicago Vocational, Bowen and Kenwood.

Devroe makes all the clothing, with the exception of uniforms, himself at a factory in Roseland. Devroe always dreamed of having his own business, in the beginning he was unsure of what exactly that business would be. One thing was clear though, the Dolphins always backed Devroe’s dreams and always planned on being a future client regardless of what the business entailed.

Irvin was a supervisor for Baylor’s ladies’ basketball team, and he’s the sixth-grade kid’s basketball coach at Francis Parker School in Lincoln Park.

His love for basketball jersey design started at Whitney Young, where he took a graphic design class, and he’s attempted to mesh his love of hoops and style since.

Devroe believed it was a dream to get into Whitney Young in the first place after a youth in South Coast, a community plagued by shootings. He said he never seizes the day to develop for approved, particularly after losing two Whitney Young schoolmates to violent deaths. That consists of Rodney Kyle’s, a rap artist referred to as In Rod We Desire who was fatally stabbed in 2011, and Greg Tucker, a basketball standout who was fatally shot in Classy this year.

A few weeks prior to Tucker was killed, he sent out Devroe a text message that in part read something along the lines of: It’s cool to see somebody I have actually known for years doing something positive and something that he loves. That’s some real stuff brother.

Read More

Live-Edge Wood: Home Furnishings With a Slice of Nature

Our Blog

Live-edge wood, a slab cut from the heart of a tree with its growing edge intact, provides sculptural heft to integrated home furnishings such as kitchen islands, bookshelves and bathroom sinks. The natural appearance requires time. Master woodworkers dry the raw wood for several years to support and season the pieces. “Kids take 25 years– wood, the very same thing,” says Hisao Hanafusa of Miya Shoji, a standard Japanese carpentry workshop based in New York City. “Our work is beautiful due to the fact that we didn’t do it.”

Samples of live-edge products, from rugged to refined:

Philadelphia Office

A 4-foot-wide chunk of a monkeypod tree from Indonesia was sliced lengthwise to develop two live-edge pieces– each 9 1/2 feet long– for a desktop and a rack that curve around the corners of a comfortable household workspace in a city rowhouse. “The other edges are truly managed, really crisp,” stated designer Amy Cuker, of Down2Earth Style. Angled metal supports protect the slabs to the research study walls.

New York City Living Space

A centuries old fallen ash tree from upstate New York– sliced into pieces and aged for years in a drying shed– supplied the 9-foot shelf for a steel-cased library wall. “It floats, however it’s extremely grounded– it resembles the tree is still there,” stated Victoria Meyers, of Hanrahan Meyers Architects. She sourced the ash from Mr. Hanafusa, who shaved and oiled it repeatedly before collaborating shipment– a difficulty in New York City. “It never fits in the elevator; you need strong muscle males to bring it up 8 floors. In some cases, we have to employ a slab crane,” he said.

San Francisco Kitchen Area

A 200-pound piece cut from the trunk of a claro walnut tree acts as an earthy bartop for a white-on-white cooking area. “The clients wanted to treat it practically like an object versus the white background– revealing it off like an artifact,” stated Carl Scheidenhelm of SF Architecture. The walnut, with its intricate feathery grain, was aged in a drying barn for six years prior to being sanded, completed and set up. Steel-bracket inserts, hidden under the slab, bolt it to the floor.

Bathroom, Berkeley, Calif

Paul Discoe, a master woodworker and builder based in Oakland, drew out the filigree quality in the wavy panel of live-edge elm he used to build a bathroom vanity, designed in partnership with designer Jerome Buttrick of Buttrick Projects A+D. Mr. Discoe, who trained as a Buddhist priest before he began crushing wood from salvaged city trees and using drake low loaders, takes a zen technique: “Live-edge wood comes out of the Japanese idea of mottainai– it means not to waste,” he stated.

See http://www.wsj.com/articles/live-edge-wood-furnishings-with-a-slice-of-nature-1479927331 to learn more.

Read More

How Viewing Tech as Art Is on the Horizon

Our Blog

Innovation alters the human experience– that’s kind of the point. The Web Age has actually brought huge modification to almost all aspects of our experience, such as interaction, navigation, knowledge gain access to, and social life. These modifications are so extensive that they result not only in quantitative change– like the approximated 7 billion mobile phones worldwide– but qualitative, implying they force us to expand the meaning of these features of daily life. These standard functions of life have always been with us, but they are various now at a deep level and in such a way nobody could have forecasted accurately even twenty years back.

Among these modifications I discover most engaging is how technology like cloud services is altering art. “Art” is a rather basic term, however that’s appropriate due to the fact that innovation today is enhancing art in all its aspects: classical painting, the visual style of software, and guerrilla art for social modification, among others. Take a look at Prisma, the image manipulation app that has actually increased to prominence over the summertime. By integrating a neural network with a type of artificial intelligence, Prisma can take any average, ordinary photo and transform it into a masterpiece deserving of any significant gallery.

In a crucial sense, there is no difference in between imaginative technology and “art.” Both produce artifacts of human creativity and creativity. What sort of transformations can we make to our contemporary world by looking at an app or a product as not just an accomplishment of innovation, but likewise as an extension of creative expression?

Some amazing current hybrid jobs highlight this melding of standard art and advanced innovation. One example is the Malware Museum, a curated online archive that showcases the history of interesting trojan horse and other malware, presenting them as art pieces in a collection. It permits visitors to download examples and have a true malware experience– but without risk. “Through the use of emulations, and additionally eliminating any devastating regimens within the infections through software testing,” the site reads, “this collection permits you to experience virus infection of years ago with security.”

Another job, the “Brandalism” at the COP21 Climate Conference in Paris in 2015, exhibited not only the production of art utilizing image manipulation innovation, but also the function of the artist as provocateur for changes in how we utilize technology responsibly. Artists unlawfully changed bus-stop advertisements with transformed ones illustrating brands as part of the climate modification issue, not the option.

Much of the business behind these brands sponsored the conference, so these guerilla art pieces were both real-time commentary and sharply pointed social criticism. In my mind, the truest type of art is that which encourages mankind to become better, therefore events like the Brandalism are inspiring uses of both technology and art directed towards an international concern that impacts us all.

NEAT: New Experiments in Art and Innovation, a 2016 display at the Contemporary Jewish Museum in San Francisco, pulled numerous themes together. It utilized robotics, digital technology, and other media in nine artists’ works regarding how innovation is linked with all aspects of the human experience today.

Among the most aesthetically stunning examples of innovation and the fine arts boosting each other is a documentary in the making, “Caring Vincent,” a biopic about Vincent Van Gogh. The movie will be entirely made up of hand-painted images in Van Gogh’s distinct design, and his story will be told through characters and settings drawn from 120 of his own paintings.

All these tasks and others can supply important lessons and inspiration for advancements in the tech sector. The very first comes in regards to combining the left and right brains. Thinking as an artist requires creators to immerse themselves in the mindsets of the viewers and users, eventually benefiting both developers and users. Innovation based in just developers’ perspectives is neither art nor great innovation.

Using the creative method to tech and agile automated testing also indicates seeing each item as ongoing and iterative. An expression frequently attributed to Leonardo da Vinci refers to tech, too: “Art is never ever completed, just abandoned.” When an app is submitted to the App Shop, the work on that project has actually only just started. Feedback, bugs, market changes, and more determine that it continuously evolves.

A 3rd lesson art can impart on tech is in cultivating imagination. Creativity is key for software application business Comprehending ways to cultivate creativity and imagination can make or break these businesses. “Imaginative breaks” can increase imagination within a group. After all, it’s hard to believe outside package when you duplicate the exact same tasks and schedules every day.

The crossway of art and innovation will just become more powerful gradually. A years from now, start-ups will employ merely for a “creativity” consider prospects that will forecast how rapidly and effectively they can innovate using IT consulting.

Just like fine artists, tech sector employees will draw motivation and inspiration from nature, social issues, history, and obviously how technology impacts the human experience.

Check out http://observer.com/2016/11/how-viewing-tech-as-art-is-on-the-horizon/ to read more.

Read More

The Art Of Photography In Museums

Our Blog

camera-1549168-1280x960Shooting in Low Light

Light is typically dim in museums as this is more visually pleasing, and lots of museum art and design pieces can weaken with time when exposed to bright flood lighting and camera flash. Therefore, you have to set your electronic camera accordingly. Push the ISO up to a minimum of 400. If flash isn’t really enabled then utilize the widest aperture possible so you can hand hold the cam and utilize a fairly fast shutter speed. When photographing the actual displays, tripods may not be allowed as they can block other individuals’s ability to see the work.

Prevent Glass Reflections

Numerous exhibits are held behind glass, particularly artifacts, and valuable paintings. There are different things you can do to prevent reflections. Never use flash. For display cases, push the lens straight onto the glass with no gap, if this is permitted. By doing this you are bypassing any type of reflective quality from the glass– but DO give it a wipe to eliminate fingerprints in advance. If you can use a polarizing filter; it will decrease reflections. You might need to push the ISO up considering that many artifacts are in extremely low light conditions; ISO 1600 is more than sufficient.

Take notice of Details

Do not be afraid to move close to objects to get a significant effect. If you can get near the things then you can utilize a macro lens to select the details. If you are far away, use a zoom lens to get in close. Use a big aperture of f/1.8 – f/4.0 and a shutter speed of 1/100th of a second if you are using flash, 1/60th of a 2nd and slower if you cannot. Statues in custom showcases are inanimate but you can bring them to life when you zoom in near to their facial features.

Catching the Ceiling

Some museums have architecture that is as incredible as the art work being shown. Because this elaborate architecture is generally in the foyer you might be allowed to use a tripod. Turn the video camera upwards so it is dealing with the ceiling and try not using flash that is as bright as industrial lighting Press the ISO up to as much as 400 and even greater so that the camera can deal with little light and select AUTO without flash to see exactly what settings your electronic camera selects. Utilize your cam’s self-timer or a cable release to avoid blur.

Read More

Why Conventional Business Strategies Do Not Work for Artists

Our Blog

Zssndhdioefijeiojfjehfffkjkdsjskdjfdjfjkkfsfjksdjdlfjdsjfkfjkjjdsjfklfkjfjlksjfsjfdsjfldsjflkdjfjdslfkjdsfjdkfjkdsjfsdjkfsjkdjfkj4kj474784787487847587485748574857847584758475847584757485748758475847547847587308203809849584958495894859485948989898392848259820358-034850983458-3485-8340580934n 0948n8098093485438n5vu345vn93485nv09438590vn9438n5vStandard business strategies usually do not work for artists. Why is that? This is probably due to the fact that Artists sell feelings. Feelings in their works of art, paintings, sculpture or even jewelry.

Artists are actually in the business of selling feelings and that is why traditional company business strategies do not work for them. That is likewise why artists do not see themselves as entrepreneurs. Artists really offer “items” that evoke the sensation, items that link the purchaser with their inner self. That’s of more value than a pair of new tennis shoes or the current technical gizmo. So large sums of money always have and almost certainly always will change hands in the art market.

So why is it that most artists do not see themselves as business entrepreneurs?

The confusion is fueled by the loud and unquestioned “but you’re supposed to be a starving artist” belief, one which is disrespectful and very harmful.

Paradoxically, this idea is continually propagated by the exact same culture and economy that values art so highly, which is roughly 3.2 % of the US Gross Domestic Product! So why else are the creators of these extremely valued “items” so baffled? I wonder if it’s due to the fact that an artist commonly can’t see beyond how they feel about their own ‘works of art’?

Why is that?

Since unlike standard businesses, artists offer products that reflect exactly what is deeply and personally significant to them. Target audience? That is not something they even discuss in art school. So artists do not relate to traditional business and conventional business does not relate to artists. Each camp is frequently outright hostile towards the other.

Artists believe that their values are far removed from business people and they do not speak the same common language. We usually dislike what we don’t comprehend and what intimidates us.

Read More

Get Your Own Art Career into Gear

Our Blog

art into gearMany artists that I know would not consider themselves entrepreneurs or business people. But art is a business! Not many will experience Picasso-size deals in their artistic lifetimes, but there are still many ways artists can promote themselves and boost their income.

Stay with what works

The reality is, no one is going to make your career work for you. You are the artist, so you need to get your work out there in front of the public. One way is to send out laminated postcards for all your shows. People seem to collect them. Update your own website regularly (a great example is a plus size clothing website who does this well), get an email list established and design your own postcards for that individual touch. You should also think about showing in non-traditional places.

The reality is that putting up a website is not only a promotional tool, but it also acts as a catalogue (or kind of like a cheap storage solution) of your work for prospective purchasers. Think about this: if collectors can’t buy directly from your site, they can see what kind of work you have available but might lose interest if they move on to someone else’s site if they cannot buy then and there. So think about setting up some sort of e-commerce platform. If you don’t have the know how, find someone who does. You should have a presence at as many art fairs as you can, as this will give your work a major boost in terms of visibility as well as sales. You never know, one big sale at one of these art fairs could help finance many months of art-making

Another thing you can do to make things as streamlined as possible is to learn to do technical stuff yourself like IT consulting services. This means that you take your own photos and figure out the software so you can update your website. It saves on paying somebody else, but more to the point, what it really means is that you can take the time to get things looking exactly the way you want them to look. If you have to constantly explain to curators that your website isn’t 100% up to date it’s a huge waste of everybody’s time.

Read More

What is the Definition of Art?

Our Blog

art as a businessMark Rothko, an American artist who explained himself as an “abstract painter”, as soon as said that he was not the sort of person thinking about the relationship of type, color or similars. He didn’t specify himself as an abstractionist, but rather as an individual interested just in revealing standard human emotions such as doom, tragedy, euphoria and so on. This was one person’s version of art, but exactly how do you define what art is today? Is defining the concept hard?

We want this article first off to be an expedition of the definition of art and an attempt to understand the relationship in between art and artists, with some helpful insights through interviews with both traditional and digital artists.

What is the Definition of Art?

This question appears often, and with numerous responses. Lots say that art can not be specified. We might tackle this in numerous ways. Art is commonly thought about as the process or product of intentionally arranging aspects in a manner that appeals to people’s emotions or senses? It can include a diverse variety of human developments, activities, and methods of expression, which can include literature music, movie, paintings, sculpture and even something as abstract as art shipping crates! The meaning of art is explored in a branch of philosophy called visual appeals. A minimum of, that’s exactly what Wikipedia claims.

Art is typically understood as any activity or item done by people with a communicative or visual purpose – something that reveals a concept, an emotion or, more typically, a world view.

It belongs to culture, reflecting economic and social substrates in its design. It is able to send concepts and values inherent in every culture throughout space and time. Its function modifies through time, acquiring more of an aesthetic element here and a socio-educational function there.

Everything we’ve said so far has elements of reality however, its primarily opinion. According to Wikipedia, “Art historians and philosophers of art have long had classificatory disputes about art relating to whether a particular cultural kind or piece of work must be classified as art.”. This is usually done by some art services to correctly classify some pieces.

The definition of art is open, subjective but open to question. There is no set agreement among historians and artists, so this is probably why we’re left with a lot of meanings of art. The principle itself has altered over centuries.

Really the idea of art continues today to stir controversy, with it being so open to multiple ways to interpret. It can be taken simply to imply any human activity or any set of policies had to develop an activity. This would generalize the concept beyond what is typically understood as the arts, now broadened to include scholastic locations.

Read More

Dream Career: Grad Designs Uniforms for Dolphins’ Girls Basketball Team

Our Blog

Among the best things to take place in Stephan Devroe’s high school experience was not making the Whitney Young boys basketball group.

After his unsuccessful tryout, Devroe, then 16, ended up being a manager for the Dolphins’ national power women hoops team. He maintained his relationship with head coach Corry Irvin and other Dolphins workers over the years, even while he went to Baylor University, and while he began his own couture business: Campus Love, which in part develops uniforms, socks, warm-ups and other gear for basketball groups.

Devroe’s first customer became Whitney Young’s girls’ team, for whom he designed youth basketball uniforms for this year after a couple of seasons of making their socks and other apparel.

Devroe doesn’t just have one basketball client. He also makes garments for the De La Salle Institute’s ladies basketball group and socks for the Robert Morris University guys’ basketball team. He wants to expand the School Love line to high schools on the South Side like Chicago Vocational, Bowen and Kenwood.

Devroe makes all the clothing, with the exception of uniforms, himself at a factory in Roseland. Devroe always dreamed of having his own business, in the beginning he was unsure of what exactly that business would be. One thing was clear though, the Dolphins always backed Devroe’s dreams and always planned on being a future client regardless of what the business entailed.

Irvin was a supervisor for Baylor’s ladies’ basketball team, and he’s the sixth-grade kid’s basketball coach at Francis Parker School in Lincoln Park.

His love for basketball jersey design started at Whitney Young, where he took a graphic design class, and he’s attempted to mesh his love of hoops and style since.

Devroe believed it was a dream to get into Whitney Young in the first place after a youth in South Coast, a community plagued by shootings. He said he never seizes the day to develop for approved, particularly after losing two Whitney Young schoolmates to violent deaths. That consists of Rodney Kyle’s, a rap artist referred to as In Rod We Desire who was fatally stabbed in 2011, and Greg Tucker, a basketball standout who was fatally shot in Classy this year.

A few weeks prior to Tucker was killed, he sent out Devroe a text message that in part read something along the lines of: It’s cool to see somebody I have actually known for years doing something positive and something that he loves. That’s some real stuff brother.

Read More

Live-Edge Wood: Home Furnishings With a Slice of Nature

Our Blog

Live-edge wood, a slab cut from the heart of a tree with its growing edge intact, provides sculptural heft to integrated home furnishings such as kitchen islands, bookshelves and bathroom sinks. The natural appearance requires time. Master woodworkers dry the raw wood for several years to support and season the pieces. “Kids take 25 years– wood, the very same thing,” says Hisao Hanafusa of Miya Shoji, a standard Japanese carpentry workshop based in New York City. “Our work is beautiful due to the fact that we didn’t do it.”

Samples of live-edge products, from rugged to refined:

Philadelphia Office

A 4-foot-wide chunk of a monkeypod tree from Indonesia was sliced lengthwise to develop two live-edge pieces– each 9 1/2 feet long– for a desktop and a rack that curve around the corners of a comfortable household workspace in a city rowhouse. “The other edges are truly managed, really crisp,” stated designer Amy Cuker, of Down2Earth Style. Angled metal supports protect the slabs to the research study walls.

New York City Living Space

A centuries old fallen ash tree from upstate New York– sliced into pieces and aged for years in a drying shed– supplied the 9-foot shelf for a steel-cased library wall. “It floats, however it’s extremely grounded– it resembles the tree is still there,” stated Victoria Meyers, of Hanrahan Meyers Architects. She sourced the ash from Mr. Hanafusa, who shaved and oiled it repeatedly before collaborating shipment– a difficulty in New York City. “It never fits in the elevator; you need strong muscle males to bring it up 8 floors. In some cases, we have to employ a slab crane,” he said.

San Francisco Kitchen Area

A 200-pound piece cut from the trunk of a claro walnut tree acts as an earthy bartop for a white-on-white cooking area. “The clients wanted to treat it practically like an object versus the white background– revealing it off like an artifact,” stated Carl Scheidenhelm of SF Architecture. The walnut, with its intricate feathery grain, was aged in a drying barn for six years prior to being sanded, completed and set up. Steel-bracket inserts, hidden under the slab, bolt it to the floor.

Bathroom, Berkeley, Calif

Paul Discoe, a master woodworker and builder based in Oakland, drew out the filigree quality in the wavy panel of live-edge elm he used to build a bathroom vanity, designed in partnership with designer Jerome Buttrick of Buttrick Projects A+D. Mr. Discoe, who trained as a Buddhist priest before he began crushing wood from salvaged city trees and using drake low loaders, takes a zen technique: “Live-edge wood comes out of the Japanese idea of mottainai– it means not to waste,” he stated.

See http://www.wsj.com/articles/live-edge-wood-furnishings-with-a-slice-of-nature-1479927331 to learn more.

Read More

How Viewing Tech as Art Is on the Horizon

Our Blog

Innovation alters the human experience– that’s kind of the point. The Web Age has actually brought huge modification to almost all aspects of our experience, such as interaction, navigation, knowledge gain access to, and social life. These modifications are so extensive that they result not only in quantitative change– like the approximated 7 billion mobile phones worldwide– but qualitative, implying they force us to expand the meaning of these features of daily life. These standard functions of life have always been with us, but they are various now at a deep level and in such a way nobody could have forecasted accurately even twenty years back.

Among these modifications I discover most engaging is how technology like cloud services is altering art. “Art” is a rather basic term, however that’s appropriate due to the fact that innovation today is enhancing art in all its aspects: classical painting, the visual style of software, and guerrilla art for social modification, among others. Take a look at Prisma, the image manipulation app that has actually increased to prominence over the summertime. By integrating a neural network with a type of artificial intelligence, Prisma can take any average, ordinary photo and transform it into a masterpiece deserving of any significant gallery.

In a crucial sense, there is no difference in between imaginative technology and “art.” Both produce artifacts of human creativity and creativity. What sort of transformations can we make to our contemporary world by looking at an app or a product as not just an accomplishment of innovation, but likewise as an extension of creative expression?

Some amazing current hybrid jobs highlight this melding of standard art and advanced innovation. One example is the Malware Museum, a curated online archive that showcases the history of interesting trojan horse and other malware, presenting them as art pieces in a collection. It permits visitors to download examples and have a true malware experience– but without risk. “Through the use of emulations, and additionally eliminating any devastating regimens within the infections through software testing,” the site reads, “this collection permits you to experience virus infection of years ago with security.”

Another job, the “Brandalism” at the COP21 Climate Conference in Paris in 2015, exhibited not only the production of art utilizing image manipulation innovation, but also the function of the artist as provocateur for changes in how we utilize technology responsibly. Artists unlawfully changed bus-stop advertisements with transformed ones illustrating brands as part of the climate modification issue, not the option.

Much of the business behind these brands sponsored the conference, so these guerilla art pieces were both real-time commentary and sharply pointed social criticism. In my mind, the truest type of art is that which encourages mankind to become better, therefore events like the Brandalism are inspiring uses of both technology and art directed towards an international concern that impacts us all.

NEAT: New Experiments in Art and Innovation, a 2016 display at the Contemporary Jewish Museum in San Francisco, pulled numerous themes together. It utilized robotics, digital technology, and other media in nine artists’ works regarding how innovation is linked with all aspects of the human experience today.

Among the most aesthetically stunning examples of innovation and the fine arts boosting each other is a documentary in the making, “Caring Vincent,” a biopic about Vincent Van Gogh. The movie will be entirely made up of hand-painted images in Van Gogh’s distinct design, and his story will be told through characters and settings drawn from 120 of his own paintings.

All these tasks and others can supply important lessons and inspiration for advancements in the tech sector. The very first comes in regards to combining the left and right brains. Thinking as an artist requires creators to immerse themselves in the mindsets of the viewers and users, eventually benefiting both developers and users. Innovation based in just developers’ perspectives is neither art nor great innovation.

Using the creative method to tech and agile automated testing also indicates seeing each item as ongoing and iterative. An expression frequently attributed to Leonardo da Vinci refers to tech, too: “Art is never ever completed, just abandoned.” When an app is submitted to the App Shop, the work on that project has actually only just started. Feedback, bugs, market changes, and more determine that it continuously evolves.

A 3rd lesson art can impart on tech is in cultivating imagination. Creativity is key for software application business Comprehending ways to cultivate creativity and imagination can make or break these businesses. “Imaginative breaks” can increase imagination within a group. After all, it’s hard to believe outside package when you duplicate the exact same tasks and schedules every day.

The crossway of art and innovation will just become more powerful gradually. A years from now, start-ups will employ merely for a “creativity” consider prospects that will forecast how rapidly and effectively they can innovate using IT consulting.

Just like fine artists, tech sector employees will draw motivation and inspiration from nature, social issues, history, and obviously how technology impacts the human experience.

Check out http://observer.com/2016/11/how-viewing-tech-as-art-is-on-the-horizon/ to read more.

Read More

The Art Of Photography In Museums

Our Blog

camera-1549168-1280x960Shooting in Low Light

Light is typically dim in museums as this is more visually pleasing, and lots of museum art and design pieces can weaken with time when exposed to bright flood lighting and camera flash. Therefore, you have to set your electronic camera accordingly. Push the ISO up to a minimum of 400. If flash isn’t really enabled then utilize the widest aperture possible so you can hand hold the cam and utilize a fairly fast shutter speed. When photographing the actual displays, tripods may not be allowed as they can block other individuals’s ability to see the work.

Prevent Glass Reflections

Numerous exhibits are held behind glass, particularly artifacts, and valuable paintings. There are different things you can do to prevent reflections. Never use flash. For display cases, push the lens straight onto the glass with no gap, if this is permitted. By doing this you are bypassing any type of reflective quality from the glass– but DO give it a wipe to eliminate fingerprints in advance. If you can use a polarizing filter; it will decrease reflections. You might need to push the ISO up considering that many artifacts are in extremely low light conditions; ISO 1600 is more than sufficient.

Take notice of Details

Do not be afraid to move close to objects to get a significant effect. If you can get near the things then you can utilize a macro lens to select the details. If you are far away, use a zoom lens to get in close. Use a big aperture of f/1.8 – f/4.0 and a shutter speed of 1/100th of a second if you are using flash, 1/60th of a 2nd and slower if you cannot. Statues in custom showcases are inanimate but you can bring them to life when you zoom in near to their facial features.

Catching the Ceiling

Some museums have architecture that is as incredible as the art work being shown. Because this elaborate architecture is generally in the foyer you might be allowed to use a tripod. Turn the video camera upwards so it is dealing with the ceiling and try not using flash that is as bright as industrial lighting Press the ISO up to as much as 400 and even greater so that the camera can deal with little light and select AUTO without flash to see exactly what settings your electronic camera selects. Utilize your cam’s self-timer or a cable release to avoid blur.

Read More

Why Conventional Business Strategies Do Not Work for Artists

Our Blog

Zssndhdioefijeiojfjehfffkjkdsjskdjfdjfjkkfsfjksdjdlfjdsjfkfjkjjdsjfklfkjfjlksjfsjfdsjfldsjflkdjfjdslfkjdsfjdkfjkdsjfsdjkfsjkdjfkj4kj474784787487847587485748574857847584758475847584757485748758475847547847587308203809849584958495894859485948989898392848259820358-034850983458-3485-8340580934n 0948n8098093485438n5vu345vn93485nv09438590vn9438n5vStandard business strategies usually do not work for artists. Why is that? This is probably due to the fact that Artists sell feelings. Feelings in their works of art, paintings, sculpture or even jewelry.

Artists are actually in the business of selling feelings and that is why traditional company business strategies do not work for them. That is likewise why artists do not see themselves as entrepreneurs. Artists really offer “items” that evoke the sensation, items that link the purchaser with their inner self. That’s of more value than a pair of new tennis shoes or the current technical gizmo. So large sums of money always have and almost certainly always will change hands in the art market.

So why is it that most artists do not see themselves as business entrepreneurs?

The confusion is fueled by the loud and unquestioned “but you’re supposed to be a starving artist” belief, one which is disrespectful and very harmful.

Paradoxically, this idea is continually propagated by the exact same culture and economy that values art so highly, which is roughly 3.2 % of the US Gross Domestic Product! So why else are the creators of these extremely valued “items” so baffled? I wonder if it’s due to the fact that an artist commonly can’t see beyond how they feel about their own ‘works of art’?

Why is that?

Since unlike standard businesses, artists offer products that reflect exactly what is deeply and personally significant to them. Target audience? That is not something they even discuss in art school. So artists do not relate to traditional business and conventional business does not relate to artists. Each camp is frequently outright hostile towards the other.

Artists believe that their values are far removed from business people and they do not speak the same common language. We usually dislike what we don’t comprehend and what intimidates us.

Read More

Get Your Own Art Career into Gear

Our Blog

art into gearMany artists that I know would not consider themselves entrepreneurs or business people. But art is a business! Not many will experience Picasso-size deals in their artistic lifetimes, but there are still many ways artists can promote themselves and boost their income.

Stay with what works

The reality is, no one is going to make your career work for you. You are the artist, so you need to get your work out there in front of the public. One way is to send out laminated postcards for all your shows. People seem to collect them. Update your own website regularly (a great example is a plus size clothing website who does this well), get an email list established and design your own postcards for that individual touch. You should also think about showing in non-traditional places.

The reality is that putting up a website is not only a promotional tool, but it also acts as a catalogue (or kind of like a cheap storage solution) of your work for prospective purchasers. Think about this: if collectors can’t buy directly from your site, they can see what kind of work you have available but might lose interest if they move on to someone else’s site if they cannot buy then and there. So think about setting up some sort of e-commerce platform. If you don’t have the know how, find someone who does. You should have a presence at as many art fairs as you can, as this will give your work a major boost in terms of visibility as well as sales. You never know, one big sale at one of these art fairs could help finance many months of art-making

Another thing you can do to make things as streamlined as possible is to learn to do technical stuff yourself like IT consulting services. This means that you take your own photos and figure out the software so you can update your website. It saves on paying somebody else, but more to the point, what it really means is that you can take the time to get things looking exactly the way you want them to look. If you have to constantly explain to curators that your website isn’t 100% up to date it’s a huge waste of everybody’s time.

Read More

What is the Definition of Art?

Our Blog

art as a businessMark Rothko, an American artist who explained himself as an “abstract painter”, as soon as said that he was not the sort of person thinking about the relationship of type, color or similars. He didn’t specify himself as an abstractionist, but rather as an individual interested just in revealing standard human emotions such as doom, tragedy, euphoria and so on. This was one person’s version of art, but exactly how do you define what art is today? Is defining the concept hard?

We want this article first off to be an expedition of the definition of art and an attempt to understand the relationship in between art and artists, with some helpful insights through interviews with both traditional and digital artists.

What is the Definition of Art?

This question appears often, and with numerous responses. Lots say that art can not be specified. We might tackle this in numerous ways. Art is commonly thought about as the process or product of intentionally arranging aspects in a manner that appeals to people’s emotions or senses? It can include a diverse variety of human developments, activities, and methods of expression, which can include literature music, movie, paintings, sculpture and even something as abstract as art shipping crates! The meaning of art is explored in a branch of philosophy called visual appeals. A minimum of, that’s exactly what Wikipedia claims.

Art is typically understood as any activity or item done by people with a communicative or visual purpose – something that reveals a concept, an emotion or, more typically, a world view.

It belongs to culture, reflecting economic and social substrates in its design. It is able to send concepts and values inherent in every culture throughout space and time. Its function modifies through time, acquiring more of an aesthetic element here and a socio-educational function there.

Everything we’ve said so far has elements of reality however, its primarily opinion. According to Wikipedia, “Art historians and philosophers of art have long had classificatory disputes about art relating to whether a particular cultural kind or piece of work must be classified as art.”. This is usually done by some art services to correctly classify some pieces.

The definition of art is open, subjective but open to question. There is no set agreement among historians and artists, so this is probably why we’re left with a lot of meanings of art. The principle itself has altered over centuries.

Really the idea of art continues today to stir controversy, with it being so open to multiple ways to interpret. It can be taken simply to imply any human activity or any set of policies had to develop an activity. This would generalize the concept beyond what is typically understood as the arts, now broadened to include scholastic locations.

Read More

Dream Career: Grad Designs Uniforms for Dolphins’ Girls Basketball Team

Our Blog

Among the best things to take place in Stephan Devroe’s high school experience was not making the Whitney Young boys basketball group.

After his unsuccessful tryout, Devroe, then 16, ended up being a manager for the Dolphins’ national power women hoops team. He maintained his relationship with head coach Corry Irvin and other Dolphins workers over the years, even while he went to Baylor University, and while he began his own couture business: Campus Love, which in part develops uniforms, socks, warm-ups and other gear for basketball groups.

Devroe’s first customer became Whitney Young’s girls’ team, for whom he designed youth basketball uniforms for this year after a couple of seasons of making their socks and other apparel.

Devroe doesn’t just have one basketball client. He also makes garments for the De La Salle Institute’s ladies basketball group and socks for the Robert Morris University guys’ basketball team. He wants to expand the School Love line to high schools on the South Side like Chicago Vocational, Bowen and Kenwood.

Devroe makes all the clothing, with the exception of uniforms, himself at a factory in Roseland. Devroe always dreamed of having his own business, in the beginning he was unsure of what exactly that business would be. One thing was clear though, the Dolphins always backed Devroe’s dreams and always planned on being a future client regardless of what the business entailed.

Irvin was a supervisor for Baylor’s ladies’ basketball team, and he’s the sixth-grade kid’s basketball coach at Francis Parker School in Lincoln Park.

His love for basketball jersey design started at Whitney Young, where he took a graphic design class, and he’s attempted to mesh his love of hoops and style since.

Devroe believed it was a dream to get into Whitney Young in the first place after a youth in South Coast, a community plagued by shootings. He said he never seizes the day to develop for approved, particularly after losing two Whitney Young schoolmates to violent deaths. That consists of Rodney Kyle’s, a rap artist referred to as In Rod We Desire who was fatally stabbed in 2011, and Greg Tucker, a basketball standout who was fatally shot in Classy this year.

A few weeks prior to Tucker was killed, he sent out Devroe a text message that in part read something along the lines of: It’s cool to see somebody I have actually known for years doing something positive and something that he loves. That’s some real stuff brother.

Read More

Live-Edge Wood: Home Furnishings With a Slice of Nature

Our Blog

Live-edge wood, a slab cut from the heart of a tree with its growing edge intact, provides sculptural heft to integrated home furnishings such as kitchen islands, bookshelves and bathroom sinks. The natural appearance requires time. Master woodworkers dry the raw wood for several years to support and season the pieces. “Kids take 25 years– wood, the very same thing,” says Hisao Hanafusa of Miya Shoji, a standard Japanese carpentry workshop based in New York City. “Our work is beautiful due to the fact that we didn’t do it.”

Samples of live-edge products, from rugged to refined:

Philadelphia Office

A 4-foot-wide chunk of a monkeypod tree from Indonesia was sliced lengthwise to develop two live-edge pieces– each 9 1/2 feet long– for a desktop and a rack that curve around the corners of a comfortable household workspace in a city rowhouse. “The other edges are truly managed, really crisp,” stated designer Amy Cuker, of Down2Earth Style. Angled metal supports protect the slabs to the research study walls.

New York City Living Space

A centuries old fallen ash tree from upstate New York– sliced into pieces and aged for years in a drying shed– supplied the 9-foot shelf for a steel-cased library wall. “It floats, however it’s extremely grounded– it resembles the tree is still there,” stated Victoria Meyers, of Hanrahan Meyers Architects. She sourced the ash from Mr. Hanafusa, who shaved and oiled it repeatedly before collaborating shipment– a difficulty in New York City. “It never fits in the elevator; you need strong muscle males to bring it up 8 floors. In some cases, we have to employ a slab crane,” he said.

San Francisco Kitchen Area

A 200-pound piece cut from the trunk of a claro walnut tree acts as an earthy bartop for a white-on-white cooking area. “The clients wanted to treat it practically like an object versus the white background– revealing it off like an artifact,” stated Carl Scheidenhelm of SF Architecture. The walnut, with its intricate feathery grain, was aged in a drying barn for six years prior to being sanded, completed and set up. Steel-bracket inserts, hidden under the slab, bolt it to the floor.

Bathroom, Berkeley, Calif

Paul Discoe, a master woodworker and builder based in Oakland, drew out the filigree quality in the wavy panel of live-edge elm he used to build a bathroom vanity, designed in partnership with designer Jerome Buttrick of Buttrick Projects A+D. Mr. Discoe, who trained as a Buddhist priest before he began crushing wood from salvaged city trees and using drake low loaders, takes a zen technique: “Live-edge wood comes out of the Japanese idea of mottainai– it means not to waste,” he stated.

See http://www.wsj.com/articles/live-edge-wood-furnishings-with-a-slice-of-nature-1479927331 to learn more.

Read More

How Viewing Tech as Art Is on the Horizon

Our Blog

Innovation alters the human experience– that’s kind of the point. The Web Age has actually brought huge modification to almost all aspects of our experience, such as interaction, navigation, knowledge gain access to, and social life. These modifications are so extensive that they result not only in quantitative change– like the approximated 7 billion mobile phones worldwide– but qualitative, implying they force us to expand the meaning of these features of daily life. These standard functions of life have always been with us, but they are various now at a deep level and in such a way nobody could have forecasted accurately even twenty years back.

Among these modifications I discover most engaging is how technology like cloud services is altering art. “Art” is a rather basic term, however that’s appropriate due to the fact that innovation today is enhancing art in all its aspects: classical painting, the visual style of software, and guerrilla art for social modification, among others. Take a look at Prisma, the image manipulation app that has actually increased to prominence over the summertime. By integrating a neural network with a type of artificial intelligence, Prisma can take any average, ordinary photo and transform it into a masterpiece deserving of any significant gallery.

In a crucial sense, there is no difference in between imaginative technology and “art.” Both produce artifacts of human creativity and creativity. What sort of transformations can we make to our contemporary world by looking at an app or a product as not just an accomplishment of innovation, but likewise as an extension of creative expression?

Some amazing current hybrid jobs highlight this melding of standard art and advanced innovation. One example is the Malware Museum, a curated online archive that showcases the history of interesting trojan horse and other malware, presenting them as art pieces in a collection. It permits visitors to download examples and have a true malware experience– but without risk. “Through the use of emulations, and additionally eliminating any devastating regimens within the infections through software testing,” the site reads, “this collection permits you to experience virus infection of years ago with security.”

Another job, the “Brandalism” at the COP21 Climate Conference in Paris in 2015, exhibited not only the production of art utilizing image manipulation innovation, but also the function of the artist as provocateur for changes in how we utilize technology responsibly. Artists unlawfully changed bus-stop advertisements with transformed ones illustrating brands as part of the climate modification issue, not the option.

Much of the business behind these brands sponsored the conference, so these guerilla art pieces were both real-time commentary and sharply pointed social criticism. In my mind, the truest type of art is that which encourages mankind to become better, therefore events like the Brandalism are inspiring uses of both technology and art directed towards an international concern that impacts us all.

NEAT: New Experiments in Art and Innovation, a 2016 display at the Contemporary Jewish Museum in San Francisco, pulled numerous themes together. It utilized robotics, digital technology, and other media in nine artists’ works regarding how innovation is linked with all aspects of the human experience today.

Among the most aesthetically stunning examples of innovation and the fine arts boosting each other is a documentary in the making, “Caring Vincent,” a biopic about Vincent Van Gogh. The movie will be entirely made up of hand-painted images in Van Gogh’s distinct design, and his story will be told through characters and settings drawn from 120 of his own paintings.

All these tasks and others can supply important lessons and inspiration for advancements in the tech sector. The very first comes in regards to combining the left and right brains. Thinking as an artist requires creators to immerse themselves in the mindsets of the viewers and users, eventually benefiting both developers and users. Innovation based in just developers’ perspectives is neither art nor great innovation.

Using the creative method to tech and agile automated testing also indicates seeing each item as ongoing and iterative. An expression frequently attributed to Leonardo da Vinci refers to tech, too: “Art is never ever completed, just abandoned.” When an app is submitted to the App Shop, the work on that project has actually only just started. Feedback, bugs, market changes, and more determine that it continuously evolves.

A 3rd lesson art can impart on tech is in cultivating imagination. Creativity is key for software application business Comprehending ways to cultivate creativity and imagination can make or break these businesses. “Imaginative breaks” can increase imagination within a group. After all, it’s hard to believe outside package when you duplicate the exact same tasks and schedules every day.

The crossway of art and innovation will just become more powerful gradually. A years from now, start-ups will employ merely for a “creativity” consider prospects that will forecast how rapidly and effectively they can innovate using IT consulting.

Just like fine artists, tech sector employees will draw motivation and inspiration from nature, social issues, history, and obviously how technology impacts the human experience.

Check out http://observer.com/2016/11/how-viewing-tech-as-art-is-on-the-horizon/ to read more.

Read More

The Art Of Photography In Museums

Our Blog

camera-1549168-1280x960Shooting in Low Light

Light is typically dim in museums as this is more visually pleasing, and lots of museum art and design pieces can weaken with time when exposed to bright flood lighting and camera flash. Therefore, you have to set your electronic camera accordingly. Push the ISO up to a minimum of 400. If flash isn’t really enabled then utilize the widest aperture possible so you can hand hold the cam and utilize a fairly fast shutter speed. When photographing the actual displays, tripods may not be allowed as they can block other individuals’s ability to see the work.

Prevent Glass Reflections

Numerous exhibits are held behind glass, particularly artifacts, and valuable paintings. There are different things you can do to prevent reflections. Never use flash. For display cases, push the lens straight onto the glass with no gap, if this is permitted. By doing this you are bypassing any type of reflective quality from the glass– but DO give it a wipe to eliminate fingerprints in advance. If you can use a polarizing filter; it will decrease reflections. You might need to push the ISO up considering that many artifacts are in extremely low light conditions; ISO 1600 is more than sufficient.

Take notice of Details

Do not be afraid to move close to objects to get a significant effect. If you can get near the things then you can utilize a macro lens to select the details. If you are far away, use a zoom lens to get in close. Use a big aperture of f/1.8 – f/4.0 and a shutter speed of 1/100th of a second if you are using flash, 1/60th of a 2nd and slower if you cannot. Statues in custom showcases are inanimate but you can bring them to life when you zoom in near to their facial features.

Catching the Ceiling

Some museums have architecture that is as incredible as the art work being shown. Because this elaborate architecture is generally in the foyer you might be allowed to use a tripod. Turn the video camera upwards so it is dealing with the ceiling and try not using flash that is as bright as industrial lighting Press the ISO up to as much as 400 and even greater so that the camera can deal with little light and select AUTO without flash to see exactly what settings your electronic camera selects. Utilize your cam’s self-timer or a cable release to avoid blur.

Read More

Why Conventional Business Strategies Do Not Work for Artists

Our Blog

Zssndhdioefijeiojfjehfffkjkdsjskdjfdjfjkkfsfjksdjdlfjdsjfkfjkjjdsjfklfkjfjlksjfsjfdsjfldsjflkdjfjdslfkjdsfjdkfjkdsjfsdjkfsjkdjfkj4kj474784787487847587485748574857847584758475847584757485748758475847547847587308203809849584958495894859485948989898392848259820358-034850983458-3485-8340580934n 0948n8098093485438n5vu345vn93485nv09438590vn9438n5vStandard business strategies usually do not work for artists. Why is that? This is probably due to the fact that Artists sell feelings. Feelings in their works of art, paintings, sculpture or even jewelry.

Artists are actually in the business of selling feelings and that is why traditional company business strategies do not work for them. That is likewise why artists do not see themselves as entrepreneurs. Artists really offer “items” that evoke the sensation, items that link the purchaser with their inner self. That’s of more value than a pair of new tennis shoes or the current technical gizmo. So large sums of money always have and almost certainly always will change hands in the art market.

So why is it that most artists do not see themselves as business entrepreneurs?

The confusion is fueled by the loud and unquestioned “but you’re supposed to be a starving artist” belief, one which is disrespectful and very harmful.

Paradoxically, this idea is continually propagated by the exact same culture and economy that values art so highly, which is roughly 3.2 % of the US Gross Domestic Product! So why else are the creators of these extremely valued “items” so baffled? I wonder if it’s due to the fact that an artist commonly can’t see beyond how they feel about their own ‘works of art’?

Why is that?

Since unlike standard businesses, artists offer products that reflect exactly what is deeply and personally significant to them. Target audience? That is not something they even discuss in art school. So artists do not relate to traditional business and conventional business does not relate to artists. Each camp is frequently outright hostile towards the other.

Artists believe that their values are far removed from business people and they do not speak the same common language. We usually dislike what we don’t comprehend and what intimidates us.

Read More

Get Your Own Art Career into Gear

Our Blog

art into gearMany artists that I know would not consider themselves entrepreneurs or business people. But art is a business! Not many will experience Picasso-size deals in their artistic lifetimes, but there are still many ways artists can promote themselves and boost their income.

Stay with what works

The reality is, no one is going to make your career work for you. You are the artist, so you need to get your work out there in front of the public. One way is to send out laminated postcards for all your shows. People seem to collect them. Update your own website regularly (a great example is a plus size clothing website who does this well), get an email list established and design your own postcards for that individual touch. You should also think about showing in non-traditional places.

The reality is that putting up a website is not only a promotional tool, but it also acts as a catalogue (or kind of like a cheap storage solution) of your work for prospective purchasers. Think about this: if collectors can’t buy directly from your site, they can see what kind of work you have available but might lose interest if they move on to someone else’s site if they cannot buy then and there. So think about setting up some sort of e-commerce platform. If you don’t have the know how, find someone who does. You should have a presence at as many art fairs as you can, as this will give your work a major boost in terms of visibility as well as sales. You never know, one big sale at one of these art fairs could help finance many months of art-making

Another thing you can do to make things as streamlined as possible is to learn to do technical stuff yourself like IT consulting services. This means that you take your own photos and figure out the software so you can update your website. It saves on paying somebody else, but more to the point, what it really means is that you can take the time to get things looking exactly the way you want them to look. If you have to constantly explain to curators that your website isn’t 100% up to date it’s a huge waste of everybody’s time.

Read More

What is the Definition of Art?

Our Blog

art as a businessMark Rothko, an American artist who explained himself as an “abstract painter”, as soon as said that he was not the sort of person thinking about the relationship of type, color or similars. He didn’t specify himself as an abstractionist, but rather as an individual interested just in revealing standard human emotions such as doom, tragedy, euphoria and so on. This was one person’s version of art, but exactly how do you define what art is today? Is defining the concept hard?

We want this article first off to be an expedition of the definition of art and an attempt to understand the relationship in between art and artists, with some helpful insights through interviews with both traditional and digital artists.

What is the Definition of Art?

This question appears often, and with numerous responses. Lots say that art can not be specified. We might tackle this in numerous ways. Art is commonly thought about as the process or product of intentionally arranging aspects in a manner that appeals to people’s emotions or senses? It can include a diverse variety of human developments, activities, and methods of expression, which can include literature music, movie, paintings, sculpture and even something as abstract as art shipping crates! The meaning of art is explored in a branch of philosophy called visual appeals. A minimum of, that’s exactly what Wikipedia claims.

Art is typically understood as any activity or item done by people with a communicative or visual purpose – something that reveals a concept, an emotion or, more typically, a world view.

It belongs to culture, reflecting economic and social substrates in its design. It is able to send concepts and values inherent in every culture throughout space and time. Its function modifies through time, acquiring more of an aesthetic element here and a socio-educational function there.

Everything we’ve said so far has elements of reality however, its primarily opinion. According to Wikipedia, “Art historians and philosophers of art have long had classificatory disputes about art relating to whether a particular cultural kind or piece of work must be classified as art.”. This is usually done by some art services to correctly classify some pieces.

The definition of art is open, subjective but open to question. There is no set agreement among historians and artists, so this is probably why we’re left with a lot of meanings of art. The principle itself has altered over centuries.

Really the idea of art continues today to stir controversy, with it being so open to multiple ways to interpret. It can be taken simply to imply any human activity or any set of policies had to develop an activity. This would generalize the concept beyond what is typically understood as the arts, now broadened to include scholastic locations.

Read More

Dream Career: Grad Designs Uniforms for Dolphins’ Girls Basketball Team

Our Blog

Among the best things to take place in Stephan Devroe’s high school experience was not making the Whitney Young boys basketball group.

After his unsuccessful tryout, Devroe, then 16, ended up being a manager for the Dolphins’ national power women hoops team. He maintained his relationship with head coach Corry Irvin and other Dolphins workers over the years, even while he went to Baylor University, and while he began his own couture business: Campus Love, which in part develops uniforms, socks, warm-ups and other gear for basketball groups.

Devroe’s first customer became Whitney Young’s girls’ team, for whom he designed youth basketball uniforms for this year after a couple of seasons of making their socks and other apparel.

Devroe doesn’t just have one basketball client. He also makes garments for the De La Salle Institute’s ladies basketball group and socks for the Robert Morris University guys’ basketball team. He wants to expand the School Love line to high schools on the South Side like Chicago Vocational, Bowen and Kenwood.

Devroe makes all the clothing, with the exception of uniforms, himself at a factory in Roseland. Devroe always dreamed of having his own business, in the beginning he was unsure of what exactly that business would be. One thing was clear though, the Dolphins always backed Devroe’s dreams and always planned on being a future client regardless of what the business entailed.

Irvin was a supervisor for Baylor’s ladies’ basketball team, and he’s the sixth-grade kid’s basketball coach at Francis Parker School in Lincoln Park.

His love for basketball jersey design started at Whitney Young, where he took a graphic design class, and he’s attempted to mesh his love of hoops and style since.

Devroe believed it was a dream to get into Whitney Young in the first place after a youth in South Coast, a community plagued by shootings. He said he never seizes the day to develop for approved, particularly after losing two Whitney Young schoolmates to violent deaths. That consists of Rodney Kyle’s, a rap artist referred to as In Rod We Desire who was fatally stabbed in 2011, and Greg Tucker, a basketball standout who was fatally shot in Classy this year.

A few weeks prior to Tucker was killed, he sent out Devroe a text message that in part read something along the lines of: It’s cool to see somebody I have actually known for years doing something positive and something that he loves. That’s some real stuff brother.

Read More

Live-Edge Wood: Home Furnishings With a Slice of Nature

Our Blog

Live-edge wood, a slab cut from the heart of a tree with its growing edge intact, provides sculptural heft to integrated home furnishings such as kitchen islands, bookshelves and bathroom sinks. The natural appearance requires time. Master woodworkers dry the raw wood for several years to support and season the pieces. “Kids take 25 years– wood, the very same thing,” says Hisao Hanafusa of Miya Shoji, a standard Japanese carpentry workshop based in New York City. “Our work is beautiful due to the fact that we didn’t do it.”

Samples of live-edge products, from rugged to refined:

Philadelphia Office

A 4-foot-wide chunk of a monkeypod tree from Indonesia was sliced lengthwise to develop two live-edge pieces– each 9 1/2 feet long– for a desktop and a rack that curve around the corners of a comfortable household workspace in a city rowhouse. “The other edges are truly managed, really crisp,” stated designer Amy Cuker, of Down2Earth Style. Angled metal supports protect the slabs to the research study walls.

New York City Living Space

A centuries old fallen ash tree from upstate New York– sliced into pieces and aged for years in a drying shed– supplied the 9-foot shelf for a steel-cased library wall. “It floats, however it’s extremely grounded– it resembles the tree is still there,” stated Victoria Meyers, of Hanrahan Meyers Architects. She sourced the ash from Mr. Hanafusa, who shaved and oiled it repeatedly before collaborating shipment– a difficulty in New York City. “It never fits in the elevator; you need strong muscle males to bring it up 8 floors. In some cases, we have to employ a slab crane,” he said.

San Francisco Kitchen Area

A 200-pound piece cut from the trunk of a claro walnut tree acts as an earthy bartop for a white-on-white cooking area. “The clients wanted to treat it practically like an object versus the white background– revealing it off like an artifact,” stated Carl Scheidenhelm of SF Architecture. The walnut, with its intricate feathery grain, was aged in a drying barn for six years prior to being sanded, completed and set up. Steel-bracket inserts, hidden under the slab, bolt it to the floor.

Bathroom, Berkeley, Calif

Paul Discoe, a master woodworker and builder based in Oakland, drew out the filigree quality in the wavy panel of live-edge elm he used to build a bathroom vanity, designed in partnership with designer Jerome Buttrick of Buttrick Projects A+D. Mr. Discoe, who trained as a Buddhist priest before he began crushing wood from salvaged city trees and using drake low loaders, takes a zen technique: “Live-edge wood comes out of the Japanese idea of mottainai– it means not to waste,” he stated.

See http://www.wsj.com/articles/live-edge-wood-furnishings-with-a-slice-of-nature-1479927331 to learn more.

Read More

How Viewing Tech as Art Is on the Horizon

Our Blog

Innovation alters the human experience– that’s kind of the point. The Web Age has actually brought huge modification to almost all aspects of our experience, such as interaction, navigation, knowledge gain access to, and social life. These modifications are so extensive that they result not only in quantitative change– like the approximated 7 billion mobile phones worldwide– but qualitative, implying they force us to expand the meaning of these features of daily life. These standard functions of life have always been with us, but they are various now at a deep level and in such a way nobody could have forecasted accurately even twenty years back.

Among these modifications I discover most engaging is how technology like cloud services is altering art. “Art” is a rather basic term, however that’s appropriate due to the fact that innovation today is enhancing art in all its aspects: classical painting, the visual style of software, and guerrilla art for social modification, among others. Take a look at Prisma, the image manipulation app that has actually increased to prominence over the summertime. By integrating a neural network with a type of artificial intelligence, Prisma can take any average, ordinary photo and transform it into a masterpiece deserving of any significant gallery.

In a crucial sense, there is no difference in between imaginative technology and “art.” Both produce artifacts of human creativity and creativity. What sort of transformations can we make to our contemporary world by looking at an app or a product as not just an accomplishment of innovation, but likewise as an extension of creative expression?

Some amazing current hybrid jobs highlight this melding of standard art and advanced innovation. One example is the Malware Museum, a curated online archive that showcases the history of interesting trojan horse and other malware, presenting them as art pieces in a collection. It permits visitors to download examples and have a true malware experience– but without risk. “Through the use of emulations, and additionally eliminating any devastating regimens within the infections through software testing,” the site reads, “this collection permits you to experience virus infection of years ago with security.”

Another job, the “Brandalism” at the COP21 Climate Conference in Paris in 2015, exhibited not only the production of art utilizing image manipulation innovation, but also the function of the artist as provocateur for changes in how we utilize technology responsibly. Artists unlawfully changed bus-stop advertisements with transformed ones illustrating brands as part of the climate modification issue, not the option.

Much of the business behind these brands sponsored the conference, so these guerilla art pieces were both real-time commentary and sharply pointed social criticism. In my mind, the truest type of art is that which encourages mankind to become better, therefore events like the Brandalism are inspiring uses of both technology and art directed towards an international concern that impacts us all.

NEAT: New Experiments in Art and Innovation, a 2016 display at the Contemporary Jewish Museum in San Francisco, pulled numerous themes together. It utilized robotics, digital technology, and other media in nine artists’ works regarding how innovation is linked with all aspects of the human experience today.

Among the most aesthetically stunning examples of innovation and the fine arts boosting each other is a documentary in the making, “Caring Vincent,” a biopic about Vincent Van Gogh. The movie will be entirely made up of hand-painted images in Van Gogh’s distinct design, and his story will be told through characters and settings drawn from 120 of his own paintings.

All these tasks and others can supply important lessons and inspiration for advancements in the tech sector. The very first comes in regards to combining the left and right brains. Thinking as an artist requires creators to immerse themselves in the mindsets of the viewers and users, eventually benefiting both developers and users. Innovation based in just developers’ perspectives is neither art nor great innovation.

Using the creative method to tech and agile automated testing also indicates seeing each item as ongoing and iterative. An expression frequently attributed to Leonardo da Vinci refers to tech, too: “Art is never ever completed, just abandoned.” When an app is submitted to the App Shop, the work on that project has actually only just started. Feedback, bugs, market changes, and more determine that it continuously evolves.

A 3rd lesson art can impart on tech is in cultivating imagination. Creativity is key for software application business Comprehending ways to cultivate creativity and imagination can make or break these businesses. “Imaginative breaks” can increase imagination within a group. After all, it’s hard to believe outside package when you duplicate the exact same tasks and schedules every day.

The crossway of art and innovation will just become more powerful gradually. A years from now, start-ups will employ merely for a “creativity” consider prospects that will forecast how rapidly and effectively they can innovate using IT consulting.

Just like fine artists, tech sector employees will draw motivation and inspiration from nature, social issues, history, and obviously how technology impacts the human experience.

Check out http://observer.com/2016/11/how-viewing-tech-as-art-is-on-the-horizon/ to read more.

Read More

The Art Of Photography In Museums

Our Blog

camera-1549168-1280x960Shooting in Low Light

Light is typically dim in museums as this is more visually pleasing, and lots of museum art and design pieces can weaken with time when exposed to bright flood lighting and camera flash. Therefore, you have to set your electronic camera accordingly. Push the ISO up to a minimum of 400. If flash isn’t really enabled then utilize the widest aperture possible so you can hand hold the cam and utilize a fairly fast shutter speed. When photographing the actual displays, tripods may not be allowed as they can block other individuals’s ability to see the work.

Prevent Glass Reflections

Numerous exhibits are held behind glass, particularly artifacts, and valuable paintings. There are different things you can do to prevent reflections. Never use flash. For display cases, push the lens straight onto the glass with no gap, if this is permitted. By doing this you are bypassing any type of reflective quality from the glass– but DO give it a wipe to eliminate fingerprints in advance. If you can use a polarizing filter; it will decrease reflections. You might need to push the ISO up considering that many artifacts are in extremely low light conditions; ISO 1600 is more than sufficient.

Take notice of Details

Do not be afraid to move close to objects to get a significant effect. If you can get near the things then you can utilize a macro lens to select the details. If you are far away, use a zoom lens to get in close. Use a big aperture of f/1.8 – f/4.0 and a shutter speed of 1/100th of a second if you are using flash, 1/60th of a 2nd and slower if you cannot. Statues in custom showcases are inanimate but you can bring them to life when you zoom in near to their facial features.

Catching the Ceiling

Some museums have architecture that is as incredible as the art work being shown. Because this elaborate architecture is generally in the foyer you might be allowed to use a tripod. Turn the video camera upwards so it is dealing with the ceiling and try not using flash that is as bright as industrial lighting Press the ISO up to as much as 400 and even greater so that the camera can deal with little light and select AUTO without flash to see exactly what settings your electronic camera selects. Utilize your cam’s self-timer or a cable release to avoid blur.

Read More

Why Conventional Business Strategies Do Not Work for Artists

Our Blog

Zssndhdioefijeiojfjehfffkjkdsjskdjfdjfjkkfsfjksdjdlfjdsjfkfjkjjdsjfklfkjfjlksjfsjfdsjfldsjflkdjfjdslfkjdsfjdkfjkdsjfsdjkfsjkdjfkj4kj474784787487847587485748574857847584758475847584757485748758475847547847587308203809849584958495894859485948989898392848259820358-034850983458-3485-8340580934n 0948n8098093485438n5vu345vn93485nv09438590vn9438n5vStandard business strategies usually do not work for artists. Why is that? This is probably due to the fact that Artists sell feelings. Feelings in their works of art, paintings, sculpture or even jewelry.

Artists are actually in the business of selling feelings and that is why traditional company business strategies do not work for them. That is likewise why artists do not see themselves as entrepreneurs. Artists really offer “items” that evoke the sensation, items that link the purchaser with their inner self. That’s of more value than a pair of new tennis shoes or the current technical gizmo. So large sums of money always have and almost certainly always will change hands in the art market.

So why is it that most artists do not see themselves as business entrepreneurs?

The confusion is fueled by the loud and unquestioned “but you’re supposed to be a starving artist” belief, one which is disrespectful and very harmful.

Paradoxically, this idea is continually propagated by the exact same culture and economy that values art so highly, which is roughly 3.2 % of the US Gross Domestic Product! So why else are the creators of these extremely valued “items” so baffled? I wonder if it’s due to the fact that an artist commonly can’t see beyond how they feel about their own ‘works of art’?

Why is that?

Since unlike standard businesses, artists offer products that reflect exactly what is deeply and personally significant to them. Target audience? That is not something they even discuss in art school. So artists do not relate to traditional business and conventional business does not relate to artists. Each camp is frequently outright hostile towards the other.

Artists believe that their values are far removed from business people and they do not speak the same common language. We usually dislike what we don’t comprehend and what intimidates us.

Read More

Get Your Own Art Career into Gear

Our Blog

art into gearMany artists that I know would not consider themselves entrepreneurs or business people. But art is a business! Not many will experience Picasso-size deals in their artistic lifetimes, but there are still many ways artists can promote themselves and boost their income.

Stay with what works

The reality is, no one is going to make your career work for you. You are the artist, so you need to get your work out there in front of the public. One way is to send out laminated postcards for all your shows. People seem to collect them. Update your own website regularly (a great example is a plus size clothing website who does this well), get an email list established and design your own postcards for that individual touch. You should also think about showing in non-traditional places.

The reality is that putting up a website is not only a promotional tool, but it also acts as a catalogue (or kind of like a cheap storage solution) of your work for prospective purchasers. Think about this: if collectors can’t buy directly from your site, they can see what kind of work you have available but might lose interest if they move on to someone else’s site if they cannot buy then and there. So think about setting up some sort of e-commerce platform. If you don’t have the know how, find someone who does. You should have a presence at as many art fairs as you can, as this will give your work a major boost in terms of visibility as well as sales. You never know, one big sale at one of these art fairs could help finance many months of art-making

Another thing you can do to make things as streamlined as possible is to learn to do technical stuff yourself like IT consulting services. This means that you take your own photos and figure out the software so you can update your website. It saves on paying somebody else, but more to the point, what it really means is that you can take the time to get things looking exactly the way you want them to look. If you have to constantly explain to curators that your website isn’t 100% up to date it’s a huge waste of everybody’s time.

Read More

What is the Definition of Art?

Our Blog

art as a businessMark Rothko, an American artist who explained himself as an “abstract painter”, as soon as said that he was not the sort of person thinking about the relationship of type, color or similars. He didn’t specify himself as an abstractionist, but rather as an individual interested just in revealing standard human emotions such as doom, tragedy, euphoria and so on. This was one person’s version of art, but exactly how do you define what art is today? Is defining the concept hard?

We want this article first off to be an expedition of the definition of art and an attempt to understand the relationship in between art and artists, with some helpful insights through interviews with both traditional and digital artists.

What is the Definition of Art?

This question appears often, and with numerous responses. Lots say that art can not be specified. We might tackle this in numerous ways. Art is commonly thought about as the process or product of intentionally arranging aspects in a manner that appeals to people’s emotions or senses? It can include a diverse variety of human developments, activities, and methods of expression, which can include literature music, movie, paintings, sculpture and even something as abstract as art shipping crates! The meaning of art is explored in a branch of philosophy called visual appeals. A minimum of, that’s exactly what Wikipedia claims.

Art is typically understood as any activity or item done by people with a communicative or visual purpose – something that reveals a concept, an emotion or, more typically, a world view.

It belongs to culture, reflecting economic and social substrates in its design. It is able to send concepts and values inherent in every culture throughout space and time. Its function modifies through time, acquiring more of an aesthetic element here and a socio-educational function there.

Everything we’ve said so far has elements of reality however, its primarily opinion. According to Wikipedia, “Art historians and philosophers of art have long had classificatory disputes about art relating to whether a particular cultural kind or piece of work must be classified as art.”. This is usually done by some art services to correctly classify some pieces.

The definition of art is open, subjective but open to question. There is no set agreement among historians and artists, so this is probably why we’re left with a lot of meanings of art. The principle itself has altered over centuries.

Really the idea of art continues today to stir controversy, with it being so open to multiple ways to interpret. It can be taken simply to imply any human activity or any set of policies had to develop an activity. This would generalize the concept beyond what is typically understood as the arts, now broadened to include scholastic locations.

Read More

Dream Career: Grad Designs Uniforms for Dolphins’ Girls Basketball Team

Our Blog

Among the best things to take place in Stephan Devroe’s high school experience was not making the Whitney Young boys basketball group.

After his unsuccessful tryout, Devroe, then 16, ended up being a manager for the Dolphins’ national power women hoops team. He maintained his relationship with head coach Corry Irvin and other Dolphins workers over the years, even while he went to Baylor University, and while he began his own couture business: Campus Love, which in part develops uniforms, socks, warm-ups and other gear for basketball groups.

Devroe’s first customer became Whitney Young’s girls’ team, for whom he designed youth basketball uniforms for this year after a couple of seasons of making their socks and other apparel.

Devroe doesn’t just have one basketball client. He also makes garments for the De La Salle Institute’s ladies basketball group and socks for the Robert Morris University guys’ basketball team. He wants to expand the School Love line to high schools on the South Side like Chicago Vocational, Bowen and Kenwood.

Devroe makes all the clothing, with the exception of uniforms, himself at a factory in Roseland. Devroe always dreamed of having his own business, in the beginning he was unsure of what exactly that business would be. One thing was clear though, the Dolphins always backed Devroe’s dreams and always planned on being a future client regardless of what the business entailed.

Irvin was a supervisor for Baylor’s ladies’ basketball team, and he’s the sixth-grade kid’s basketball coach at Francis Parker School in Lincoln Park.

His love for basketball jersey design started at Whitney Young, where he took a graphic design class, and he’s attempted to mesh his love of hoops and style since.

Devroe believed it was a dream to get into Whitney Young in the first place after a youth in South Coast, a community plagued by shootings. He said he never seizes the day to develop for approved, particularly after losing two Whitney Young schoolmates to violent deaths. That consists of Rodney Kyle’s, a rap artist referred to as In Rod We Desire who was fatally stabbed in 2011, and Greg Tucker, a basketball standout who was fatally shot in Classy this year.

A few weeks prior to Tucker was killed, he sent out Devroe a text message that in part read something along the lines of: It’s cool to see somebody I have actually known for years doing something positive and something that he loves. That’s some real stuff brother.

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Live-Edge Wood: Home Furnishings With a Slice of Nature

Our Blog

Live-edge wood, a slab cut from the heart of a tree with its growing edge intact, provides sculptural heft to integrated home furnishings such as kitchen islands, bookshelves and bathroom sinks. The natural appearance requires time. Master woodworkers dry the raw wood for several years to support and season the pieces. “Kids take 25 years– wood, the very same thing,” says Hisao Hanafusa of Miya Shoji, a standard Japanese carpentry workshop based in New York City. “Our work is beautiful due to the fact that we didn’t do it.”

Samples of live-edge products, from rugged to refined:

Philadelphia Office

A 4-foot-wide chunk of a monkeypod tree from Indonesia was sliced lengthwise to develop two live-edge pieces– each 9 1/2 feet long– for a desktop and a rack that curve around the corners of a comfortable household workspace in a city rowhouse. “The other edges are truly managed, really crisp,” stated designer Amy Cuker, of Down2Earth Style. Angled metal supports protect the slabs to the research study walls.

New York City Living Space

A centuries old fallen ash tree from upstate New York– sliced into pieces and aged for years in a drying shed– supplied the 9-foot shelf for a steel-cased library wall. “It floats, however it’s extremely grounded– it resembles the tree is still there,” stated Victoria Meyers, of Hanrahan Meyers Architects. She sourced the ash from Mr. Hanafusa, who shaved and oiled it repeatedly before collaborating shipment– a difficulty in New York City. “It never fits in the elevator; you need strong muscle males to bring it up 8 floors. In some cases, we have to employ a slab crane,” he said.

San Francisco Kitchen Area

A 200-pound piece cut from the trunk of a claro walnut tree acts as an earthy bartop for a white-on-white cooking area. “The clients wanted to treat it practically like an object versus the white background– revealing it off like an artifact,” stated Carl Scheidenhelm of SF Architecture. The walnut, with its intricate feathery grain, was aged in a drying barn for six years prior to being sanded, completed and set up. Steel-bracket inserts, hidden under the slab, bolt it to the floor.

Bathroom, Berkeley, Calif

Paul Discoe, a master woodworker and builder based in Oakland, drew out the filigree quality in the wavy panel of live-edge elm he used to build a bathroom vanity, designed in partnership with designer Jerome Buttrick of Buttrick Projects A+D. Mr. Discoe, who trained as a Buddhist priest before he began crushing wood from salvaged city trees and using drake low loaders, takes a zen technique: “Live-edge wood comes out of the Japanese idea of mottainai– it means not to waste,” he stated.

See http://www.wsj.com/articles/live-edge-wood-furnishings-with-a-slice-of-nature-1479927331 to learn more.

Read More

How Viewing Tech as Art Is on the Horizon

Our Blog

Innovation alters the human experience– that’s kind of the point. The Web Age has actually brought huge modification to almost all aspects of our experience, such as interaction, navigation, knowledge gain access to, and social life. These modifications are so extensive that they result not only in quantitative change– like the approximated 7 billion mobile phones worldwide– but qualitative, implying they force us to expand the meaning of these features of daily life. These standard functions of life have always been with us, but they are various now at a deep level and in such a way nobody could have forecasted accurately even twenty years back.

Among these modifications I discover most engaging is how technology like cloud services is altering art. “Art” is a rather basic term, however that’s appropriate due to the fact that innovation today is enhancing art in all its aspects: classical painting, the visual style of software, and guerrilla art for social modification, among others. Take a look at Prisma, the image manipulation app that has actually increased to prominence over the summertime. By integrating a neural network with a type of artificial intelligence, Prisma can take any average, ordinary photo and transform it into a masterpiece deserving of any significant gallery.

In a crucial sense, there is no difference in between imaginative technology and “art.” Both produce artifacts of human creativity and creativity. What sort of transformations can we make to our contemporary world by looking at an app or a product as not just an accomplishment of innovation, but likewise as an extension of creative expression?

Some amazing current hybrid jobs highlight this melding of standard art and advanced innovation. One example is the Malware Museum, a curated online archive that showcases the history of interesting trojan horse and other malware, presenting them as art pieces in a collection. It permits visitors to download examples and have a true malware experience– but without risk. “Through the use of emulations, and additionally eliminating any devastating regimens within the infections through software testing,” the site reads, “this collection permits you to experience virus infection of years ago with security.”

Another job, the “Brandalism” at the COP21 Climate Conference in Paris in 2015, exhibited not only the production of art utilizing image manipulation innovation, but also the function of the artist as provocateur for changes in how we utilize technology responsibly. Artists unlawfully changed bus-stop advertisements with transformed ones illustrating brands as part of the climate modification issue, not the option.

Much of the business behind these brands sponsored the conference, so these guerilla art pieces were both real-time commentary and sharply pointed social criticism. In my mind, the truest type of art is that which encourages mankind to become better, therefore events like the Brandalism are inspiring uses of both technology and art directed towards an international concern that impacts us all.

NEAT: New Experiments in Art and Innovation, a 2016 display at the Contemporary Jewish Museum in San Francisco, pulled numerous themes together. It utilized robotics, digital technology, and other media in nine artists’ works regarding how innovation is linked with all aspects of the human experience today.

Among the most aesthetically stunning examples of innovation and the fine arts boosting each other is a documentary in the making, “Caring Vincent,” a biopic about Vincent Van Gogh. The movie will be entirely made up of hand-painted images in Van Gogh’s distinct design, and his story will be told through characters and settings drawn from 120 of his own paintings.

All these tasks and others can supply important lessons and inspiration for advancements in the tech sector. The very first comes in regards to combining the left and right brains. Thinking as an artist requires creators to immerse themselves in the mindsets of the viewers and users, eventually benefiting both developers and users. Innovation based in just developers’ perspectives is neither art nor great innovation.

Using the creative method to tech and agile automated testing also indicates seeing each item as ongoing and iterative. An expression frequently attributed to Leonardo da Vinci refers to tech, too: “Art is never ever completed, just abandoned.” When an app is submitted to the App Shop, the work on that project has actually only just started. Feedback, bugs, market changes, and more determine that it continuously evolves.

A 3rd lesson art can impart on tech is in cultivating imagination. Creativity is key for software application business Comprehending ways to cultivate creativity and imagination can make or break these businesses. “Imaginative breaks” can increase imagination within a group. After all, it’s hard to believe outside package when you duplicate the exact same tasks and schedules every day.

The crossway of art and innovation will just become more powerful gradually. A years from now, start-ups will employ merely for a “creativity” consider prospects that will forecast how rapidly and effectively they can innovate using IT consulting.

Just like fine artists, tech sector employees will draw motivation and inspiration from nature, social issues, history, and obviously how technology impacts the human experience.

Check out http://observer.com/2016/11/how-viewing-tech-as-art-is-on-the-horizon/ to read more.

Read More

The Art Of Photography In Museums

Our Blog

camera-1549168-1280x960Shooting in Low Light

Light is typically dim in museums as this is more visually pleasing, and lots of museum art and design pieces can weaken with time when exposed to bright flood lighting and camera flash. Therefore, you have to set your electronic camera accordingly. Push the ISO up to a minimum of 400. If flash isn’t really enabled then utilize the widest aperture possible so you can hand hold the cam and utilize a fairly fast shutter speed. When photographing the actual displays, tripods may not be allowed as they can block other individuals’s ability to see the work.

Prevent Glass Reflections

Numerous exhibits are held behind glass, particularly artifacts, and valuable paintings. There are different things you can do to prevent reflections. Never use flash. For display cases, push the lens straight onto the glass with no gap, if this is permitted. By doing this you are bypassing any type of reflective quality from the glass– but DO give it a wipe to eliminate fingerprints in advance. If you can use a polarizing filter; it will decrease reflections. You might need to push the ISO up considering that many artifacts are in extremely low light conditions; ISO 1600 is more than sufficient.

Take notice of Details

Do not be afraid to move close to objects to get a significant effect. If you can get near the things then you can utilize a macro lens to select the details. If you are far away, use a zoom lens to get in close. Use a big aperture of f/1.8 – f/4.0 and a shutter speed of 1/100th of a second if you are using flash, 1/60th of a 2nd and slower if you cannot. Statues in custom showcases are inanimate but you can bring them to life when you zoom in near to their facial features.

Catching the Ceiling

Some museums have architecture that is as incredible as the art work being shown. Because this elaborate architecture is generally in the foyer you might be allowed to use a tripod. Turn the video camera upwards so it is dealing with the ceiling and try not using flash that is as bright as industrial lighting Press the ISO up to as much as 400 and even greater so that the camera can deal with little light and select AUTO without flash to see exactly what settings your electronic camera selects. Utilize your cam’s self-timer or a cable release to avoid blur.

Read More

Why Conventional Business Strategies Do Not Work for Artists

Our Blog

Zssndhdioefijeiojfjehfffkjkdsjskdjfdjfjkkfsfjksdjdlfjdsjfkfjkjjdsjfklfkjfjlksjfsjfdsjfldsjflkdjfjdslfkjdsfjdkfjkdsjfsdjkfsjkdjfkj4kj474784787487847587485748574857847584758475847584757485748758475847547847587308203809849584958495894859485948989898392848259820358-034850983458-3485-8340580934n 0948n8098093485438n5vu345vn93485nv09438590vn9438n5vStandard business strategies usually do not work for artists. Why is that? This is probably due to the fact that Artists sell feelings. Feelings in their works of art, paintings, sculpture or even jewelry.

Artists are actually in the business of selling feelings and that is why traditional company business strategies do not work for them. That is likewise why artists do not see themselves as entrepreneurs. Artists really offer “items” that evoke the sensation, items that link the purchaser with their inner self. That’s of more value than a pair of new tennis shoes or the current technical gizmo. So large sums of money always have and almost certainly always will change hands in the art market.

So why is it that most artists do not see themselves as business entrepreneurs?

The confusion is fueled by the loud and unquestioned “but you’re supposed to be a starving artist” belief, one which is disrespectful and very harmful.

Paradoxically, this idea is continually propagated by the exact same culture and economy that values art so highly, which is roughly 3.2 % of the US Gross Domestic Product! So why else are the creators of these extremely valued “items” so baffled? I wonder if it’s due to the fact that an artist commonly can’t see beyond how they feel about their own ‘works of art’?

Why is that?

Since unlike standard businesses, artists offer products that reflect exactly what is deeply and personally significant to them. Target audience? That is not something they even discuss in art school. So artists do not relate to traditional business and conventional business does not relate to artists. Each camp is frequently outright hostile towards the other.

Artists believe that their values are far removed from business people and they do not speak the same common language. We usually dislike what we don’t comprehend and what intimidates us.

Read More

Get Your Own Art Career into Gear

Our Blog

art into gearMany artists that I know would not consider themselves entrepreneurs or business people. But art is a business! Not many will experience Picasso-size deals in their artistic lifetimes, but there are still many ways artists can promote themselves and boost their income.

Stay with what works

The reality is, no one is going to make your career work for you. You are the artist, so you need to get your work out there in front of the public. One way is to send out laminated postcards for all your shows. People seem to collect them. Update your own website regularly (a great example is a plus size clothing website who does this well), get an email list established and design your own postcards for that individual touch. You should also think about showing in non-traditional places.

The reality is that putting up a website is not only a promotional tool, but it also acts as a catalogue (or kind of like a cheap storage solution) of your work for prospective purchasers. Think about this: if collectors can’t buy directly from your site, they can see what kind of work you have available but might lose interest if they move on to someone else’s site if they cannot buy then and there. So think about setting up some sort of e-commerce platform. If you don’t have the know how, find someone who does. You should have a presence at as many art fairs as you can, as this will give your work a major boost in terms of visibility as well as sales. You never know, one big sale at one of these art fairs could help finance many months of art-making

Another thing you can do to make things as streamlined as possible is to learn to do technical stuff yourself like IT consulting services. This means that you take your own photos and figure out the software so you can update your website. It saves on paying somebody else, but more to the point, what it really means is that you can take the time to get things looking exactly the way you want them to look. If you have to constantly explain to curators that your website isn’t 100% up to date it’s a huge waste of everybody’s time.

Read More

What is the Definition of Art?

Our Blog

art as a businessMark Rothko, an American artist who explained himself as an “abstract painter”, as soon as said that he was not the sort of person thinking about the relationship of type, color or similars. He didn’t specify himself as an abstractionist, but rather as an individual interested just in revealing standard human emotions such as doom, tragedy, euphoria and so on. This was one person’s version of art, but exactly how do you define what art is today? Is defining the concept hard?

We want this article first off to be an expedition of the definition of art and an attempt to understand the relationship in between art and artists, with some helpful insights through interviews with both traditional and digital artists.

What is the Definition of Art?

This question appears often, and with numerous responses. Lots say that art can not be specified. We might tackle this in numerous ways. Art is commonly thought about as the process or product of intentionally arranging aspects in a manner that appeals to people’s emotions or senses? It can include a diverse variety of human developments, activities, and methods of expression, which can include literature music, movie, paintings, sculpture and even something as abstract as art shipping crates! The meaning of art is explored in a branch of philosophy called visual appeals. A minimum of, that’s exactly what Wikipedia claims.

Art is typically understood as any activity or item done by people with a communicative or visual purpose – something that reveals a concept, an emotion or, more typically, a world view.

It belongs to culture, reflecting economic and social substrates in its design. It is able to send concepts and values inherent in every culture throughout space and time. Its function modifies through time, acquiring more of an aesthetic element here and a socio-educational function there.

Everything we’ve said so far has elements of reality however, its primarily opinion. According to Wikipedia, “Art historians and philosophers of art have long had classificatory disputes about art relating to whether a particular cultural kind or piece of work must be classified as art.”. This is usually done by some art services to correctly classify some pieces.

The definition of art is open, subjective but open to question. There is no set agreement among historians and artists, so this is probably why we’re left with a lot of meanings of art. The principle itself has altered over centuries.

Really the idea of art continues today to stir controversy, with it being so open to multiple ways to interpret. It can be taken simply to imply any human activity or any set of policies had to develop an activity. This would generalize the concept beyond what is typically understood as the arts, now broadened to include scholastic locations.

Read More